By Joshua Kennedy, WKTV Intern
If you know the work of Japanese artist Masayuki Koorida exclusively from the polished, yet unfinished, stones of “Existence”, located in the Frederik Meijer Gardens and Sculpture Park’s Japanese Garden, you are in for a surprise.
WKTV had the opportunity to meet with Joseph Antenucci Becherer, vice president and chief curator, to discuss the latest exhibition at the garden’s indoor exhibitions space, Koorida’s “Beyond Existence”, which was unveiled late last month.
Becherer said that the new exhibit is really focused not only on the artist but on the audience’s interaction with the exhibit.
“What makes this exhibit unique we really tried to keep the text and information we share with the audience to a minimum,” he said. “So that the people have a greater opportunity to experience, whether the piece is in marble or granite or stainless steel or the drawings, just to take in the work, to understand the shape and understand the form.”
The idea behind this was to give the visitors a fully immersive experience; delving deep into what Koorida is truly about by first viewing the indoor exhibition then making their way outside and contemplating “existence” while viewing his permanent piece in the Richard & Helen DeVos Japanese Garden.
Following last year’s exhibition of the works of Chinese artist Ai Weiwei, and asked if it was a conscious decision to present diversity in modern Asian art and artists, Becherer said that the conscious decision on the Garden’s part was to “take the opportunity to host a sculptor who has a work in the permanent collection” and feature them with their own exhibition.
Koorida is relatively new to the American art scene; Becherer said the Gardens was first made aware of his artwork between 2010 and 2011. So it has been “a long journey” with the artist for the Gardens. Interestingly, though, he said he did not first notice Koorida’s work in his native country of Japan.
“Ironically having been born in Japan, and working in China today, we actually first saw his work in Germany,” Becherer said. “So there was a global path of what he is doing.”
His global path has now led Koorida to being prominently featured in one of his first major solo exhibitions here in the United States.
Although Koorida is relatively unknown to American art enthusiasts, Becherer believes that the “caliber of the work, the quality of the thought and the diversity of materials (used in his artwork) will really draw the attention of the visitors of Meijer Gardens.”
Sculptors physical requirements are much higher than most other art forms. They need a lot of space and adequate material which contributes to Koorida’s main base of operations now being in Shanghai, China, which, according to supplied material, is very close to some of that country’s stone quarries.
Becherer went on to explain the importance to sculptural artists of proximity to quarries is historic, even going so far as to mention the great Michelangelo in the same conversation and point out similar tendencies when he moved to Italy to be close to the stone quarries.
Koorida is also often inspired by nature and its simplicity. Having both his indoor exhibition and outdoor displays to witness allows guests to really contemplate both, as well as simply to contemplate “existence”.
The exhibit runs through August 19, for more information visit here. And see more of the interview with Becherer on the next WKTV Journal newscast on cable television and YouTube.
