In World War I women were accepted into the Navy to serve in limited roles, such as the nurses depicted on this poster engaged in the rehabilitation of returnees.(Poster by unknown artist, circa 1925. Supplied) 
The Naval Reserve Act of 1916 lead to formal permission to begin enlisting women in mid-March 1917, shortly before the United States entered the “Great War.” (Oil painting by Anne Fuller Abbott, 1925. Supplied) 
One of the most prolific and well-recognized artists to contribute to the Navy’s recruitment campaign, especially the recruitment of WAVES, John Philip Falter created over 300 designs for Naval recruitment posters during WW II.(Oil painting for poster, by John Philip Falter, circa 1943. Supplied) 
The single stripe on this WAVE’s shoulder signifies that she is an Ensign. To meet wartime needs, some members of the Hospital Corps in the enlisted ratings were appointed to the commissioned ranks of Ensign, Lieutenant (Junior grade), and Lieutenant for temporary service. (Oil painting for poster by John Philip Falter, circa 1944. Supplied) 
This painting serves to depict the introduction of women to sea duty aboard ships in the US Navy. Before this only nurses had served on ships at sea. The first women to come aboard USS Sanctuary (AH-17) where line officer Lt. (Junior grade) Ann E Kerr and the first enlisted PN3 Peggy Sue Griffith. (Oil painting by George Gibson, Jr., 1973. Supplied) 
Upon returning from harrowing service in the Philippines at Bataan and an evacuation from Corregidor on USS Spearfish (SS-190), Lt. (Junior grade) Ann Bernatitus of the Nurse Corps, received a hero’s welcome from her hometown in Pennsylvania, complete with parade and dinner at the local high school. (Oil painting on Canvas by Albert K. Murray, 1942. Supplied) 
Capt. Joan Bynum, the Navy’s first African-American female captain, achieved that rank in 1979 in the Nurse Corps. (Pencil drawing by (enlisted petty officer) DM1 Erick Marshall Murray, 1997. Supplied) 
About 37,000 American women took part in the Persian Gulf War, the largest deployment of women in history. Ten percent of these women were Navy personnel. They served on support ships — ammunition, supply, tenders, and oilers — and in Military Sealift and Combat Logistics Force vessels. Others were in helicopter combat support squadrons, construction battalions, and in a cargo-handling and port unit at Bahrain. (Oil painting by John Charles Roach, 1991. Supplied) 
Seabee Power. (Oil painting by Morgan Ian Wilbur, 2016. Supplied)
By K.D. Norris
Women have served in a variety of roles, and worn a variety of uniforms, in the U.S. Navy — from sailors to admirals, from Yeomen to aviators; in peacetime and in harm’s way.
And they, too, deserve a salute of honor and gratitude. President Gerald Ford, a Navy man himself, knew that fact.
“For my part, I will do everything I can to see that our service men and women continue to receive the recognition and respect that is their due,” President Ford said in 1975. “They have earned it.”
Working with the Naval History and Heritage Command, and the Naval Art Gallery, the Gerald R. Ford Presidential Museum will open a new exhibit “Women in Uniform” Jan. 24, and public is able to visit the museum in-person with some pandemic protocols.
The exhibit, which will run through May 6, will open with a Jan. 24, 7 p.m., Zoom event featuring Rear Admiral (retired) Samuel J. Cox, Director of Naval History and Heritage Command, and his colleague, Gale Munro, Curator of the Naval Art Gallery. The two will present a program giving a brief history of the role women played in naval history and also give background on selected works from the exhibition.
(Public registration for the Zoom is available on the Ford Museum’s website at fordlibrarymuseum.gov.)
In peace and in war
The “Women in Uniform” exhibition showcases rarely displayed art from the Naval History and Heritage Command’s collection.
Women have had a continuous, and growing presence, in uniform throughout the 20th and 21st centuries, as stated in exhibit material. Whenever international or domestic events dictated the need, the Navy expanded its opportunities for women to serve.
These artworks demonstrate the wide-ranging and varied occupations women have held as they continue to push the boundaries of prospects available to them.
From a Yeoman in World War I to an aviator, from a sailor to an admiral, this exhibition features works of art that depict female Navy military personnel.
The first large-scale employment of women as Naval personnel took place to meet the severe clerical shortages of the World War I era. The Naval Reserve Act of 1916 had conspicuously omitted mention of gender as a condition for service, leading to formal permission to begin enlisting women in mid-March 1917, shortly before the United States entered the “Great War”. Nearly 600 female Yeomen were on duty by the end of April 1917, a number that had grown to over 11,000 in December 1918, shortly after the Armistice.
In years of peace, and wars — including World War II — women continued to enlist and serve in the Navy, including up to the 2000s.
About 37,000 American women took part in the Persian Gulf War, the largest deployment of women in history. Ten percent of these women were Navy personnel. They served on support ships — ammunition, supply, tenders, and oilers — and in Military Sealift and Combat Logistics Force vessels. Others were in helicopter combat support squadrons, construction battalions, and in a cargo-handling and port unit at Bahrain.
While the exhibit is open to the public, in-person, tickets must be purchased in advance, online. The museum’s COVID pandemic health and safety protocols are listed on the museum’s website.
