By Colleen Pierson
WKTV Contributor
A drama that deals with pain, passion, racism, art and pent-up rage is on stage through August 26 at Circle Theatre. It is a powerful story about reclaiming power, black music and culture. A definite must-see production.
It’s 1927, and Ma Rainey, the Mother of the Blues, is recording new sides of old favorites in a run-down Chicago recording studio. She fights to retain control over her music. She knows that she is a valuable commodity in selling records, but feels that the white men only see her as the cash she generates.
“White folks don’t understand about the blues,” says Ma. “They hear it come out, but they don’t know how it got there. They don’t understand that that’s life’s way of talking.”
Before Ma Rainey (CaSaundra Ce’Moune) enters, her band members: Cutler (Michael P. Travis), Toledo (Deb Perry,) Levee (Noah King-Bates) and Slow Drag (Keon Atkins) tell stories surrounding black culture, music, conflicts and their personal stories. Trumpet player Levee dreams of making his own name in the business hence making the conflict measurable and the tensions apparent throughout.
The recording session is filled with conflict and strife as Ma Rainey wants things done her way. She is an independent African American woman with immense talent. Often referred to as the “Mother of the Blues,” she was a trailblazing African American blues singer and songwriter.
CaSaundra Ce’Moune, or CC as she is known by, plays the role of Ma Rainey brilliantly and with great splendor. She is an explosive, powerful force on stage. Her singing voice makes the audience long for more. I would pay big bucks just to hear her in concert. What an immense talent.
The direction of Will Gearring is majorly responsible for the effectiveness of this drama. He takes the actors through lengthy monologues that reach different levels of intensity. All of the actors are completely at home in their roles and extremely believable thanks to his competent direction and blocking of scenes.
Of special note is Debra L. Perry, who takes on the role of piano man Toledo with such talent that I did not know she was a female.
She and Co-Music Director Vanessa Allen also were responsible for training three of the four actors how to play the trumpet, drums and bass. A job very well done.
The 1920’s also are made even more believable thanks to the talents of costume designer Jess Luiz, hair and makeup designer Christina Barrera and properties designer Meaghan Gietzen.
Each character on stage has their special moment. The moments that stood out for me the most were the monologues delivered by Noah King-Bates with his pent-up rage and tragic life stories. His self-destruction at the end of the play was extremely dramatic. Other moments include all of the actors’ believable interactions in their character portrayals.
Attending the play’s pre-opening night was interesting to hear the Intermission discussions.
“These actors cannot possibly be local talent, can they?” one woman questioned. “There is so much talent in West Michigan,” another audience member commented.
“Ma Rainey’s Black Bottom” is at Circle Theatre through August 26. You can get your tickets online at circletheatre.org or by calling the box office at 616-456-6656.
