By K.D. Norris
There is probably not a vantage point on the grounds of the Frederik Meijer Gardens & Sculpture Park where you cannot see Beverly Pepper’s monumental sculpture “Galileo’s Wedge”. Depending on one’s world view, it is either an authoritative metal finger pointing toward the heavens or an elongated monolith-like spike sinking deep into the Earth.
Either way, the 2009 acquisition by Meijer Gardens is a soaring steel object of visual beauty and, simultaneously, engineering mastery which rises nearly 40 feet into the sky and an undefined depth into the ground.
It is that imagination-bending blend of engineering mastery and visual beauty which will be the focus of the next featured exhibit at Meijer Gardens as “Drawn Into Form: Sixty Years of Drawings and Prints by Beverly Pepper” opens Feb. 2, 2018.
The exhibition is the first public showing of the gift of Pepper’s expansive print and drawing archives that was given to Meijer Gardens in 2016 and 2017. Spanning seven decades of work by the contemporary sculptor, the archives includes hundreds of drawings, prints, works on paper and notebooks, with many containing sketches of her major sculptural endeavors on display around the world.
“The 2018 retrospective surveying sixty-five years of work is a rare luxury, and an unbelievable opportunity,” Pepper said in supplied material. “Frederik Meijer Gardens & Sculpture Park has clearly demonstrated a strong commitment to my sculpture and I am enthusiastic to now have this major body of my work there.” Pepper said in supplied material. “To have in one location a space to study, compare and sequence my drawings and prints is an exceptional opportunity.”
Pepper (born 1922 in Brooklyn, N.Y.) lives and works in Italy. Her works have been exhibited and collected by major arts institutions and galleries around the world, including The Metropolitan Museum of Art in New York, The Smithsonian Institution in Washington, D.C., Les Jardins du Palais Royal in Paris, and The Museum of Modern Art in Sapporo, Japan.
Joseph Antenucci Becherer, chief curator and vice president of Meijer Gardens, sees the exhibit as a logical public extension of the artist’s gift.
“The importance of the gift and this exhibition simply cannot be overstated,” Becherer said in supplied material. “The opportunity to experience the sheer brilliance of Pepper’s work and trace the trajectory of her career from a realist aesthetic in the late 1940s and 50s, through her embrace of abstraction to become one of America’s leading abstract sculptors, is beyond compare.”
The exhibition will run through April 19, 2018.
Pepper is world-renowned for her work, which often incorporates industrial metals like iron, bronze, stainless steel and stone into sculpture of a monumental scale, but her vast drawing and print repertoire is lesser known.
Associated with the exhibit will be several special events including a March 18 discussion on “Five Great Women Sculptors” by Suzanne Eberle, Professor of Art History at Kendall College of Art & Design. The talk will focus on important female artists — including Pepper, Magdalena Abakanowicz, Louise Bourgeois, Barbara Hepworth, and Louise Nevelson — who have worked in large scale.
For more information visit meijergardens.org .
