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By K.D. Norris
ken@wktv.org

When Frederik Meijer Gardens & Sculpture Park opens its next exhibit, “Rebecca Louise Law: The Womb”, on Sept. 20, the Gardens horticultural staff and community volunteers might be excused if they feel a little ownership of the artwork.

After all, the site-specific exhibition includes about 10,000 flowers and plants gathered from the Gardens’ massive gardens and strung together in delicate wire strings by local volunteers and staff, and then added to Law’s existing collection of approximately 1 million flowers and plant material.

The resulting newly created sculptural works, as well as painted works, will be on display within, and in spaces preceding, the main gallery in an exhibition which will run through March 1, 2020.

While the British installation artist has gained international acclaim for her works and her use of natural materials, the ability to have such a wide range of local material to select from and work with is a little unusual but very pleasing to the artist.

“It was amazing to have a dedicated team that would daily harvest flora from an abundant garden,” Law said to WKTV. “I felt spoilt by the horticulture team as I’ve given them my preferences and guidance as to what will work best in this installation.”

While some of new exhibit is based on previously produced material, the initial stringing of local materials by a variety of local volunteers does present the artist with a kind of variance, of randomness, that plays into her final artistic decisions as the exhibit comes together.

“I am strict with the method of wiring each flower and we prepare the flowers according to size and tone,” Law said. “Apart from this, I allow the volunteers to work naturally. I have always loved the artwork involving many hands, what makes the installation beautiful to its core is all the handmade twists of copper.”

The titles of some of Law’s other works seem to reflect or hint at a place and time in nature — “Life in Death” for example. So we asked if “The Womb”, which uses seeds or pods or early roots as well as flowers and other plant material, reflects or hints at an early stage of nature.

“‘The Womb’ studies the start of life and the human cocoon in nature,” Law said to WKTV. “I wanted to study the womb as a vessel and the first human relationship with nature. I have always had the fantasy of being enveloped in nature and through studying the womb, this artwork is the closest I have got to creating an essence of this experience.”


Law’s use of natural materials, mainly floral, will “encourage guests to experience the relationship between humanity and nature. The natural decay of the plant material makes this exhibit time based and encourages frequent visits to observe the process of drying,” according to supplied material.

The installation is also described as “an intimate exploration into the relationship between humankind and nature, and explores the sensation of being cocooned in nature, and the fantasy of being naturally enveloped.” The artworks surrounding the installation look in detail at the womb as a natural cocoon.

Although photography will be allowed in specific areas, Law encourages guests to “put aside their cell phones and cameras and fully engage with the exhibition,” she said in supplied material.

An advocate of sustainability, Law frequently reuses dried plant materials that have been displayed in her previous installations.

“I like to capture and treasure small, beautiful natural objects to create an artwork that can be observed without the pressure of time,” Law said in supplied material. “Preserving, treasuring, celebrating and sharing the beauty of the earth with the world is what drives me.”

 
That advocacy for the natural world combined with artistic vision fits in perfectly with Meijer Garden’s vision.
 
“We have been aware of Rebecca’s work for some time, and are very excited to be working with her,” Laurene Grunwald, Director of Sculpture, Art Collections, Exhibitions & Installations at Meijer Gardens, said in supplied material. “Her concern for the environment and practice of sustainability is a perfect fit for us along with the literal combination of sculpture and horticulture, which directly mirrors our mission.”

The exhibition will include several free-with-admission special “drop-in” programs, including:
 
A Director’s Walk will take place on Tuesday, Oct. 15, at 6 p.m., led by Grunwald and Steve LaWarre, Director of Horticulture, as they explore one of the places where this combination of nature and sculpture is emphasized — the wildflower meadow with Mark di Suvero’s sculpture “Scarlatti” at its center.

A lecture, “The Secret Symbolism of Flowers”, will take place on Sunday, Nov. 10, at 2 p.m., with Suzanne Eberle, Professor of Art History, Kendall College of Art and Design. Eberle will discuss how flowers often contain a symbolic meaning that is sometimes specific to the period of art, region or artist from which it was created.

A lecture, “The History of Environmental Art”, on Sunday, Dec. 8, at 2 p.m., with Billie Wickre, Professor of Art History, Albion College. The Environmental Art movement began in the 1960s and early ’70s as a way to appreciate nature. Over time, it has become a way for artists to address the endangering of ecosystems. Wickre will highlight some important works of art in the Environmental Art movement that have been intended to evoke change in the ways in which we understand and interact with our surroundings.

For more information on the exhibit visit meijergardens.org . For more information about the artist visit rebeccalouiselaw.com .

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