On the shelf: ‘Creepers’ by David Morrell

By Megan Andres, Grand Rapids Public Library, Ottawa Hills Branch

 

Once, a long time ago, the Paragon Hotel was THE place to be seen. Outfitted with all of the new technology of the day and situated in Asbury Park, New Jersey, the Paragon hosted celebrities and common folk alike. Famous chefs would spend hours preparing amazing room service and dining options. Morgan Carlisle, the owner of the Paragon, made sure that his place was the only place to be. And for a small group of Creepers, the abandoned hotel is still very much a site to see.

 

Professor Robert Conklin leads a group of students into the Paragon Hotel to explore its wastes. No one knows what really happened within its dank halls. Morgan Carlisle himself vanished within its walls. The Creepers, as they call themselves, allow one reporter to follow them into the building in an attempt to teach the world about “creeping” and why it shouldn’t be illegal. Being able to investigate abandoned buildings and the people who once lived inside them is not only a thrill but also an educational experience. Frank Balenger insists he will be fair and true in detailing the story. It’s a pity he’s not all he seems.

 

Morrell takes an underworld of adventure and twists it. The Paragon Hotel does not live up to its name at all. And the events that quickly unfold would scare even the staid horror fan. Voices and visions within the hotel’s walls soon entrap his heroes and the life and death struggle of the group soon takes over the educational experience.

 

Creepers is a truly original horror story. It takes a topic that could be something any of us would love to do and reminding us that sometimes staying home might just be the best choice. My copy of Creepers was a gift from my brother, and I loved the story and characters. Morrell even drew up another horror plot for his hero Frank Balenger, Scavengers. If you enjoy a good scare in the comfort of your own home, pick up a copy of Creepers today. Just make sure you read it with the lights on . . .

 

 

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