By K.D. Norris
ken@wktv.org
Maybe it is just clever marketing that the cover of Andrew Bird’s latest release, “My Finest Work Yet”, shows the enigmatic if not totally eccentric artiste doing his deadpan recreation of La Mort de Marat (The Death of Marat), Jacques-Louis David’s iconic 1793 painting of the failed French revolutionary leader Jean-Paul Marat lying stabbed to death in his bath.
But, you know, it would be just like the musical multi-instrumentalist, vocalist and whistler, and songwriter — not to mention Guggenheim Museum exhibit creator, TED Talks presenter and New York Times op-ed contributor — to be sending the not-so-subtle message that he cares little if his work lives or dies on the commercial stage.
There is no doubt, however, that Bird likes the Frederik Meijer Gardens & Sculpture Park outdoor amphitheater stage (and the audience reception he gets) as he will be making another visit July 18, with, surprisingly, tickets still available for a show with Madison Cunningham opening.
Bird clearly plays a tune to his own beat, from his earliest collaborative work with the band Squirrel Nut Zippers in the late 1990s through his popular (for him) 2016 solo release “Are You Serious” — which he was touring in support of when he visited Meijer Gardens in 2017, and still relied upon last summer when he visited with the equally experimental Esperanza Spalding.
If you don’t already know him and his music, you probably heard but never knew Bird from the single “Capsized” from “Are Your Serious”. The recording has certainly stayed easily accessible on the top shelf of the CD racks around my house, and not just for the catchy, slightly popish “Capsized”.
Bird’s simple philosophy on music and commercial acceptance may be best conveyed by his statement about “Are You Serious”: “Here I am with my most unguarded, direct, relatable album to date. Go easy on me.”
On his new release, which undoubtedly will be heavily drawn upon at Meijer Gardens next week, he is still unguarded and direct, and maybe still trying to be a little more relatable.
Bird opens “My Finest Work Yet” with the sophisticated sly wit and easy sounds of “Sisyphus”, then takes a serious turn with the jazzy “Bloodless”, which sounds like an ode to Marat and/or a modern political statement — “I know it’s hard to be an optimist, when you trust least the ones who claim to have the answers … It’s an uncivil war, bloodless for now.”
For a video of “Sisyphus”, visit here.
My favorites off of “My Finest Work Yet”, however, at least on first listen, focus on Bird’s violin prowess, including the softly sweet “Archipelago”, the power pop of “Proxy War” and the forlorn, almost alt-country “Bellevue Bridge Club”.
Bottom line is expect the unexpected from Bird and his high-flying imagination — which, when not making music, recently has been occupied with a series of site-specific improvisational short films and recordings called Echolocations, recorded in remote and acoustically interesting spaces: a Utah canyon, an abandoned seaside bunker, the middle of the Los Angeles River, and a reverberant stone-covered aqueduct in Lisbon.
I wonder if one of the recording was made in a bath tub?
The Andrew Bird with special guest Madison Cunningham concert will start at 6:30 p.m. (5:15 pm gates open), with a $45 general admission ticket price. For more information and tickets visit meijergardens.org .
