By Deborah Reed
WKTV Managing Editor
Michigan mixed media artist Michelle Sider has created art her whole life, finding solace in the world of imagination. Now she is utilizing her art to tell stories of resilience and survival at ArtPrize 2024.
“I made a decision with my artwork that I’m going to be more autobiographical, doing a deeper dive into my heritage, particularly stories of resilience and pride from my family,” said Sider. “There are stories of survival I feel compelled to start telling.”
The annual, international ArtPrize competition featuring over 950 artists from 42 U.S. states and 53 countries will be held Sept. 13-28. Free and open to the public, art will be displayed in over 165 public venues throughout Grand Rapids.
Based in Huntington Woods and a 2023 ArtPrize finalist, this will be Sider’s third year participating in the art competition.
“This year’s pairing is called From Darkness to Light,” said Sider. “There are two pieces: Anna, sparked from conversations last year at ArtPrize; and Balancing Act, my own experience this past year.”
From Darkness to Light consists of glass mosaics representing a journey from fear and turmoil (darkness) to faith and hope (light).
“It’s a really important pairing,” said Sider. “Everybody has times when they go through darkness looking for the light, confused and trying to make their way through very difficult, dark times.
“I feel like there are a lot of people who can resonate with my piece, my own personal story of my fears, of my darkness.”
The initial spark
Inspiration for Anna came to Sider last year when several visitors asked about her ArtPrize entry featuring 10 portraits of Yemenite Jews.
“I’m very sensitized to stories of immigrants because my grandparents and relatives had to flee for their lives from the pogroms in Europe,” said Sider. “As a kid, I had nightmares because my great-aunt told the story of having to hide under a pile of dead bodies. Everyone that was left there died.”
Sider began sketching images of what she imagined her relatives experienced.
A difficult childhood
Anna portrays Sider’s maternal great-grandmother, who fled Odessa (now Ukraine) in 1910.
Anna ran away from home at age 12 to live with her brother in Odessa. Before she arrived, pogroms erupted, wiping out much of the Jewish population. Anna’s brother wrote poetry and pamphlets against the murderous Cossacks, landing him in jail – where he continued writing on toilet paper in his cell.
“My great-grandmother, at the age of 12, would sneak out his writings in her bloomers when she went to visit him,” said Sider.
Anna married a resistance fighter against the Cossacks at age 17. Their wedding present was a midnight passage on a rowboat across the Black Sea to avoid arrest. Sider’s grandparents eventually made their way to the Detroit area.
Sider’s glass mosaic is inspired by a photograph taken when Anna was 16 years old. Though nothing was left of Anna’s brother’s writings, Sider placed writings from her brother’s friend and Russian revolutionary, Leon Trotsky, beneath the clouds and translucent blue of her grandmother’s skirt.
The book Anna holds also carries significance.
“It was very difficult for females to get an education at that time, particularly if you were Jewish females,” said Sider. “The fact that she’s holding a book, representing how important her education was to her, is important to include.”
Gold threads through the mosaic, representing the rips and tears of the original photograph through the years. Sider borrowed the idea from the Japanese craft Kintsugi, where broken and cracked clay vessels are repaired with gold, ultimately strengthening the piece.
A personal balancing act
Sider’s second entry, Balancing Act, is her most autobiographical piece, portraying Sider’s reaction to recent anti-Semitism. With one child facing danger in Israel, and another facing anti-Semitism at college in the U.S., Sider felt broken by fear.
“I felt completely cracked open,” said Sider. “I was terrified, shaking; I was a mess.”
Balancing Act depicts a shadowy figure against a stormy sky with turbulent water beneath as it traverses a gold tightrope representing a lifeline.
Sider said the piece is purposely ambiguous.
“The idea [was] to capture those feelings of being terrified and trying to navigate my way through the storms to the other side.”
For Sider, diving into her great-grandmother’s story of resilience helped her through her own personal struggles – and she hopes it will help others.
A beam of sunlight…
Sider has always found solace in art.
“My mom tells the story of how, when I was an infant, there was a sunbeam shining through the window, and I started playing with it,” said Sider. “Literally my whole life I’ve been drawn to creating, making and getting my hands dirty.
“It’s my happy place. My world of imagination was always a great source of solace, comfort, energy and interest for me.”
At first, Sider’s art consisted mainly of painting and drawing. The first time she saw a mosaic, however, she fell in love.
Fascinated with glass and light, Sider incorporates both into her mosaics.
“To me, light represents spirituality and hope, and I play with that metaphor in my work a lot,” said Sider. “What I love about glass is that it’s metaphorically and physically representing light.
“My pieces change color throughout the day. I put them at certain angles and use different types of glass. They all catch light, absorb light or reflect light in different ways.”
That change in color can be seen in the atrium of Uccello’s in downtown Grand Rapids where From Darkness to Light is displayed under the glass ceiling.
ArtPrize visitors can vote for pieces by scanning the QR code associated with each entry, or manually entering the five-digit code on the ArtPrize mobile web app.
Information about ArtPrize artists, venues, events and more can be found here.
