By Amy Cochran, GRPL-Seymour Branch
Gillian Flynn’s disturbing and enthralling first novel delves into the dark heart of a small town and the complex relationship between a mother and her daughters. Camille hasn’t been back home in eight years and is eking out a meager existence as a reporter for Chicago’s fourth-largest paper. In search of a prize-winning scoop, Camille’s editor persuades her to return to her southern Missouri hometown and search out the connections between the murder of a girl the year before and the recent disappearance of another little girl. It’s not long before the missing girl is found dead in a manner strikingly similar to the first death, meaning there is a serial killer in the town.
Busy searching for leads, Camille delays going home as long as possible, but finally shows up on her mother’s doorstep, where she is given a half-hearted and vague welcome. She clumsily attempts to get to know her teenage half-sister Amma and becomes messily involved with the detective handling the investigation.
In one sense, the novel is a mystery, as the search for the girls’ killer provides the framework for everything that happens to Camille. But it is also a story of why certain families’ wounds never heal. Flynn only gradually unveils why it is so hard for Camille to go home and why she has chosen to live far away from her mother. There are hints early on that she is damaged—for example, she can only take baths because the shower spray gets her skin to buzzing and she has a specific coping mechanism that she keeps a secret. But the longer Camille stays in Wind Gap, the more her hard-won emotional distance slips away and she finds herself more involved with her family than she had planned.
Sharp Objects is appropriately named. It is not a comfortable book to read, but the sharp edges in both the characters and the setting add to the power of the novel. Flynn’s portrayal of Wind Gap is nicely full of details that highlight the setting of a small Missouri town and she paces out the revelations perfectly for a sense of suspense. This is a mystery that got under my skin and even missing a traditional happy ending has nonetheless stuck with me as one of the more thought-provoking reading experiences I’ve had this year.
Next, I’ll be checking out Flynn’s second novel, Dark Places, which also deals with past tragedies and the often bizarre interior world of families.
