Tag Archives: Mozart

GR Symphony, soloists join orchestra for Mozart’s ‘Great’ Mass in C minor, Nov. 16-17

By Jeffrey Kaczmarczyk, Grand Rapids Symphony

 

Wolfgang Amadeus Mozart, composer of symphonies, operas and concertos, was one of the most gifted musicians in the history of Western classical music. In the 35 years of his life, Mozart gave the world over 600 masterworks. Mozart’s music is not beloved just for its sheer quantity, but also for its unparalleled quality.

 

Music Director Marcelo Lehninger will lead the Grand Rapids Symphony in a performance of one of Mozart’s masterpieces, the Great Mass in C minor, along with Franz Schubert’s “Unfinished” Symphony No. 8, and Charles Ives’ The Unanswered Question, at 8pm Friday and Saturday, Nov. 16 and 17 in DeVos Performance Hall.

 

Joining the Symphony for the Richard and Helen DeVos Classical series concert is the Grand Rapids Symphony Chorus, directed by Pearl Shangkuan, plus soprano Martha Guth, mezzo-soprano Susan Platts, tenor Jonathan Matthew Myers, and bass-baritone Dashon Burton as guest soloists. Guest Artist sponsor is the Edith I. Blodgett Guest Artist Fund.

 

Pope Francis, head of the worldwide Roman Catholic Church, in 2013 in the first major, wide-ranging interview of his papacy, declares his admiration for the music of Mozart, especially his Great Mass in C minor.

 

“Among musicians, I love Mozart, of course,” he said. “The Et incarnates est from his Mass in C minor is matchless; it lifts you to God!”

 

In his great modern-day biography of Mozart, Maynard Solomon says that “occasionally . . . Mozart composed a work in a spirit of inquiry, as an affirmation of his beliefs, or as a gift of love or friendship. The several accounts of its origin indicate that the Mass in C Minor arose from a fusion of all three of these motivations.”

 

Rather than for any financial incentive, Mozart began composing his Mass in C minor in his early 20s for a reason that was rather unusual for the composer — to fulfill a vow he had made to his wife, Constanze.

 

Albert Einstein once said that Mozart’s music “is of such purity and beauty that one feels he merely found it — that it has always existed as part of the inner beauty of the universe waiting to be revealed.”

 

Mozart’s Great Mass, however, is only partially revealed.

 

When the time came to premiere it, the work was incomplete. Mozart had to use movements from his earlier compositions to fill the missing pieces. Much to the frustration of musicians, audiences and scholars, Mozart never completed the Mass.

 

Despite its absent parts, the Mass in C minor contains some of Mozart’s most astounding work. The soprano aria ‘Et incarnates est’ is especially difficult and was written specifically for the voice of Mozart’s wife, Constanze, who performed the aria at the Mass’s premiere.

 

Joining the Grand Rapids Symphony to sing this famous aria is soprano Martha Guth. Guth has performed distinctive roles in productions across the globe such as Mozart’s The Marriage of Figaro and Don Giovanni at Opera Lyra Ottawa, and The Magic Flute and Il Seraglio in Göggingen, Germany.

 

Also joining the Grand Rapids Symphony are the exceptional voices of Susan Platts, John Matthew Myers and Dashon Burton, sponsored by Edith I. Blodgett Guest Artist Fund.

 

Both Platts and Myers have performed with the Grand Rapids Symphony previously in Beethoven’s Symphony No. 9 in May 2018. Susan Platts also appeared with the Symphony in April 2012 for Mahler’s Symphony No. 8 “Symphony of a Thousand”.

 

The Grand Rapids Symphony Chorus, an ensemble of some 140 singers led by director Pearl Shangkuan and sponsored by Mary Tuuk, will help bring to life this classical masterpiece. Organized in 1962 with the guidance and support of Mary Ann Keeler, the Grand Rapids Symphony Chorus attracts singers, ages 18 to 80, from all walks of life across West Michigan.

 

Great Mass in C minor

Last year, the chorus-in-residence traveled with the orchestra to New York City in April to sing Heitor Villa-Lobos’ Chôros No. 10, It Tears Your Heart in Carnegie Hall.

 

The chorus will join the Grand Rapids Symphony again in December for the Wolverine Worldwide Holiday Pops.

 

Preceding the Great Mass in the program are two pieces that complete the “unfinished” theme: Ives’ The Unanswered Question and Schubert’s Symphony No. 8.

 

Franz Schubert, like Mozart, wrote a lot of music in his lifetime. By the time he was 18, Schubert had composed two symphonies, two masses, five operas, and numerous piano and chamber pieces.

 

It comes as no surprise that locked away in a chest was two movements of what was meant to be a complete four-movement symphony. Now known as Schubert’s “Unfinished” Symphony, the work is one of his most famous compositions.

 

Ives wrote The Unanswered Question while in his 20s. Though the work itself is complete, Ives used his music to contemplate the mysteries of life, the questions that cannot be answered.

 

Though Mozart and Schubert never completed their masterpieces, and Ives’ questions will remain unanswered, the elegance and beauty of their music will continue to captivate audiences for ages to come.

  • Inside the Music, a free, pre-concert, multi-media presentation sponsored by BDO USA, will be held before each performance at 7pm in the DeVos Place Recital Hall
  • The complete Mozart Great Mass in C minor will be rebroadcast on Sunday, March 31, 2019, at 1pm on Blue Lake Public Radio 88.9 FM or 90.3 FM.

Tickets

Tickets for the Richard and Helen DeVos Classical series start at $18 and are available at the Grand Rapids Symphony box office, weekdays 9am-5pm at 300 Ottawa Ave. NW, Suite 100, (located across the street from Calder Plaza). Call (616) 454-9451 x 4 to order by phone. (Phone orders will be charged a $2 per ticket service fee, with a $12 maximum).

 

Tickets are available at the DeVos Place ticket office, weekdays 10am-6pm or on the day of the concert beginning two hours before the performance. Tickets also may be purchased online at GRSymphony.org.

Special Offers

Full-time students of any age can purchase tickets for $5 on the night of the concert by enrolling in the GRS Student Tickets program, sponsored by Calvin College. Discounts are available to members of MySymphony360, the Grand Rapids Symphony’s organization for young professionals ages 21-35.

 

Students age 7-18 also are able to attend for free when accompanied by an adult. Free for Kids tickets must be purchased in advance at the GRS Ticket office. Up to two free tickets are available with the purchase of a regular-price adult ticket. Go online for more details.

 

Symphony Scorecard provides up to four free tickets for members of the community receiving financial assistance from the State of Michigan and for members of the U.S. Armed Forces, whether on active or reserve duty or serving in the National Guard. Go online for information to sign up with a Symphony Scorecard Partner Agency.

Opera Grand Rapids kicks off season with ‘The Magic Flute’

This slideshow requires JavaScript.

By Leslie Black

Opera Grand Rapids

 

Opera Grand Rapids’ production of The Magic Flute coming to DeVos Performance Hall, Friday, Oct. 26, and Saturday Oct. 27, is a shining introduction to opera for all ages. Wolfgang Amadeus Mozart uses music to tell an allegorical tale about goodness, enlightened human rationality and equality. It’s an opportunity to bask in Mozart’s genius.

 

A Singspiel, “sung play,” The Magic Flute incorporates both singing and spoken word. Akin to today’s Broadway musicals it combines comedy, charade and romance. This opera contains some of the most spirited and beautiful music of all time, sung in English so that everyone can follow the story.

 

Opera Grand Rapids’ production is a feast for both eyes and ears. Dramatic sets, costumes and vibrant projected backgrounds by Michael Baumgarten give life to Mozart’s masterful composition. Opera Grand Rapids Chorus and the Grand Rapids Symphony are led by Opera Grand Rapids’ Artistic Director and Conductor Maestro James Meena.

 

Meena’s conducting has been called “awe-inspiring” (Voix des Arts of Mo), “spot on,” and, “the best I’ve ever heard” (Opera Magazine). Meena serves as Artistic Director for Opera Grand Rapids and Opera Carolina, as well as, Toledo Opera’s Principal Artistic Advisor. In addition, Meena travels America and abroad as a guest conductor.

 

Internationally acclaimed stage director James Marvel is directing this production of The Magic Flute coming to DeVos Performance Hall, Friday, Oct. 26, and Saturday, Oct. 27. Marvel has been praised for his, “brilliant stage direction,” and his, “unforgettable and visually stunning new productions.” Marvel debuted in Lincoln Center in 2008 and Carnegie Hall in 2011. For this this splendid production, Marvel chose a light-hearted, comedic approach and explores the rich symbolism in Mozart’s beloved and iconic opera.

 

Opera Grand Rapids’ The Magic Flute boasts a regional and nationally-acclaimed principal cast. New York native John Viscardi, a rising baritone, acknowledged for his diversity of vocal repertoire, is the happy-go-lucky bird catcher Papageno. Superb American coloratura Jana McIntyre is the star-blazing Queen of the Night.

 

“The Queen of the Night is only onstage for 15 minutes – total! But she has two of the most exceptional and iconic arias in the repertoire.” said Meena. “Jana is a rising star in the opera universe and just like the Queen herself, will ascend the heavens with her thrilling singing.”

 

Meena may be bringing the brightest of opera’s rising stars to the Opera Grand Rapids’ stage, yet audiences will appreciate the level of talent from the locally-based chorus and comprimari.

 

Chrissy Amon, as Second Lady, is a Grand Rapids native, a versatile mezzo-soprano excelling in opera, musical theater, and art song. Laura Broscow, as First Boy, is a soprano with her master’s degree in vocal performance from Michigan State University under the tutelage of Jane Bunnell.

 

“This region boasts several excellent universities that are educating the next generation of opera artist and musicians.” said Meena, “In many ways, they shape the cultural life of our region in a way that is profound. For Opera Grand Rapids, it is a true blessing to have so many gifted performers who are part of our community.”

 

The Magic Flute is an opera for all, filled with international stars and amazing local talent alongside Opera Grand Rapids Chorus that is beginning to make waves.

 

Call Opera Grand Rapids box office, 616-451-2741, ext 103, to order tickets today.

Enjoy an evening of (mostly) Mozart at St. Cecilia Oct. 21

allegro-con-spirito

 

Mozart’s Symphony No. 35, also known as the Haffner Symphony, began life as a serenade to be used as background music for the ennoblement (i.e., having nobility conferred upon) of Sigmund Haffner, a well-to-do bigwig back in the 1770s. It eventually morphed (with the help of Mozart) into the Haffner Symphony, which was first performed on March 23, 1783, at the Vienna Burgtheater.

 

ge1-mozartOn Friday, October 21 at 8 pm with John Varineau conducting, Rick Britsch on horn,  Erich Peterson on horn and Daniel Hass on cello, the performance will begin with a gracious earlier symphony written when Mozart was seventeen and had just started working for the Prince Archbishop of Salzburg. As a special treat, Israeli cellist Daniel Hass, winner of the 2016 Stulberg International String Competition in Kalamazoo, will make a guest appearance.

 

Here’s the program:

Mozart Symphony No. 23 in D Major, K. 181
Boccherini Concerto for Cello in B-flat Major, G. 481
Mozart Horn Concerto No. 2, K. 417
Haydn Concerto for Two Horns (3rd mvt.)
Mozart Symphony No. 35 (aka Haffner Symphony)

 

BUY TICKETS

 

Royce Auditorium, St. Cecilia Music Center is located at 24 Ransom Ave NE, Grand Rapids, MI 49503.