By K.D. Norris
You can easily call turn-of-the-20th Century French artist Auguste Rodin the “father” of modern figurative sculpture — Frederik Meijer Gardens & Sculpture Park chief curator Joseph Becherer, no casual commentator on the subject, certainly does. But it would be a mistake classify Rodin as a “realistic” figurative artist.
And it would be disappointing to the viewer to assume the Garden’s ArtPrize exhibit, “Rodin and the Contemporary Figurative Tradition”, is filled with realistic artwork glorifying the human body in the styles of the classic Greco-Roman, neoclassical and Renaissance traditions.
With both several works by Rodin and the works of 17 contemporary figurative sculptors and video artists in an exhibition, the Gardens and Becherer brings to town a show ranging from absolute reality of the human form, to the abstract, to the nearly absurd.
“Rodin was a figurative artist — he did not do landscapes, he did not enter into abstraction, he didn’t do still life or some of the other objects that one could have done,” Becherer said to WKTV. His work “helped to set a parameter, set the definition, of what is ‘figurative” and one of the reasons it is so broad (today) is because it is based on what Rodin did. … it is of the figure.”
That “broadness” of figurative art Becherer is on full display at the Meijer Gardens show through — to scratch the surface — the startling yet somehow soothing split-image bodies of Anders Krisár, the eerily familiar disembodied faces of Natalia Arbelaez (“Game of Thrones” fan, anyone?), and a simple-yet-complex work by Rolf Jacobsen that forces the viewer to look closer, to think deeper.
“Rodin and the Contemporary Figurative Tradition” is free to the public through the run of this year’s ArtPrize, Sept. 20 to Oct. 8, and then will continue on display through Jan. 7, 2018.
While each of the modern artists, and their works can be taken in a modern context — and can be voted upon by the public and judges for ArtPrize awards — the show offers evidence of how each artist was impacted by Rodin either directly or indirectly.
“This year marks Rodin’s centenary and Meijer Gardens celebrates the remarkable impact of his legacy through the work of (these) seventeen contemporary artists,” Becherer, who is also vice president of exhibitions and collections at the Gardens, said in supplied material.
“This exhibition allows us to explore the boldly impactful way he has inspired major aesthetic trends even today. From representations of figure to use of materials, these selected works allow us to understand both an historic icon and the vitality of the figurative tradition today,” Becherer said.
Rodin — full name François Auguste René Rodin (1840–1917) — was born in Paris to a working-class family, applied unsuccessfully to the city’s prestigious École des Beaux Arts three times, in no small part due to his movement away from a Neoclassical style of sculpture.
But from almost the moment of the unveiling of his first major piece, “Age of Bronze”, the sculptural art form was never the same.
And a miniature cast that work, in fact, is not only part of the current show but is the curator’s favorite of the several Rodin works on loan from the Grand Rapids Art Museum, the Detroit Institute of Arts, the Snite Museum of Art and the Indianapolis Museum of Art.
“The one that I really had my heart set on was the ‘Age of Bronze’, at the introduction, because, you know, for me, it really sets this whole exhibition up because it sets up Rodin as this innovator. The one who broke the rules,” Becherer said to WKTV.
“When you approach it, it looks very classical, it looks Greco-Roman or something like that. But when you really study it, when you really see it in a scale model, you realize it is sort of awkward, it is sort of tripping into space. It has a kind of rough, but realistic animation to it. … I really wanted this sort of revolution to be here and to welcome people. And it was great opportunity to partner with the DIA (Detroit Institute of Art).”
“Rodin and the Contemporary Figurative Tradition” is recognized as one of the official centenary events of 2017 by the Musée Rodin, Paris and the international Rodin Centenary Commission, Centenaire: Rodin 100 — putting the Grand Rapids museum in the same select group as Paris’ Grand Palais and New York’s Metropolitan Museum of Art.
The exhibit, after ArtPrize closes, will include an outdoor guided sketching event on Oct. 20 focused on Rodin’s “Eve”, one of the cornerstones of the Garden’s permanent collection, and a discussion by Becherer on Nov. 5 titled “The Rodin Revolution, In and Out of Context”.
For more information on Meijer Gardens and its ArtPrize exhibit, visit meijergardens.org.
