Tag Archives: screening

An early catch

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By Alyssa Allen, Spectrum Health Beat

 

Photos by Chris Clark, Spectrum Health Beat

 

Last September, Harvey Hasart went to his primary care doctor for what he thought would be a normal annual physical.

 

Looking back, he credits that day with saving his life.

 

His doctor, Arashdeep Litt, MD, an internal medicine doctor with Spectrum Health Medical Group, suggested he undergo lung cancer screening.

 

For anyone age 55 to 80 who is at high risk of lung cancer, the Spectrum Health Lung Mass and Cancer Care Multispecialty Team early detection screening program recommends one low-dose CT scan each year for a minimum of three years.

 

As a former smoker, Hasart qualified. He remembers the day 50 years ago he caught his older brother smoking.

 

“He made me start so I wouldn’t tell Dad,” Hasart said.

 

A few days after his appointment with Dr. Litt, Hasart went to Spectrum Health Gerber Memorial Hospital in Fremont for his CT scan. Within 24 hours, Dr. Litt’s office called. They had found a suspicious nodule.

 

It was an early catch, which is a big advantage in fighting lung cancer.

 

“The idea with the screening is that we can diagnose it when it’s more treatable,” said Marc McClelland, MD, a Spectrum Health pulmonologist.

 

Photo by Chris Clark, Spectrum Health Beat

Lung cancer tends to have poor outcomes because it usually gets diagnosed at an advanced stage, Dr. McClelland said. The disease typically does not have any symptoms until it has advanced beyond stage one or two.

 

Since its creation in 2015, the lung cancer screening program has identified 33 cases of lung cancer and nine cases of other kinds of cancer, including kidney and liver. Nineteen of the lung cancer cases were found in the earliest and most treatable stage, stage one.

 

The program is currently following 728 patients with annual CT scans.

Harvey’s journey

A few days after receiving the bad news, Hasart met with the Lung Mass and Cancer Care Multispecialty Team. The group of cancer specialists includes a diagnostic radiologist, medical oncologist, pathologist, pulmonologist, radiation oncologist, thoracic surgeon, nurse and social worker, all coalescing to offer coordinated care for patients like Hasart.

 

The next step, a PET scan, revealed the nodule and a lymph node looked suspicious and needed biopsy.

 

Hasart’s case grew more complicated yet. Within days of his PET scan, he experienced chest pain on the golf course. He ended up needing a heart stent and he had to regularly take a blood thinner.

 

The multispecialty team thought it best to admit Hasart to Spectrum Health Butterworth Hospital for the biopsy, which allowed them to switch blood thinners and monitor his heart closely, Dr. McClelland said.

 

The results of the biopsy held more bad news: small cell lung cancer.

 

Small cell lung cancer makes up only 10 to 15 percent of all lung cancers. It is known for growing rapidly and spreading quickly, although it typically responds well to chemotherapy and radiation.

 

Dr. McClelland said the fact that Hasart’s cancer was small cell rather than the more common non-small cell cancer surprised him and the other specialists on Hasart’s team. It didn’t appear to be small cell originally, he said.

 

“That’s the beauty of the lung (multispecialty team),” Dr. McClelland said. “As long as I have been doing this, no case is the same as any other case. There’s no textbook in the world that could include the extensive variety and depth of what we see, so that’s why the team is so valuable.”

 

Photo by Chris Clark, Spectrum Health Beat

The team meets together on a regular basis to discuss each case, allowing for effective communication and more streamlined care. This ultimately means patients get answers faster, sometimes with same-day biopsies and results, Dr. McClelland said.

 

The week after Thanksgiving, Hasart started four rounds of chemotherapy at Spectrum Health Cancer Center. The day after Christmas, he started radiation. Both steps were successful fighting the cancer in his lungs.

 

When a scan then revealed a small lesion on his brain, the multispecialty team opted for him to receive radiation treatment to his brain, Hasart said. It’s common for small cell lung cancer to spread to the brain. In early May, a post-radiation brain scan showed the lesion was gone and there was no more evidence of cancer.

Serendipity

Hasart’s girlfriend, Deb Bisel, has been at his side throughout this journey. The two met online when Hasart lived in Wisconsin and Bisel in Newaygo, Michigan. They dated long distance a few years before Hasart retired and moved to Newaygo in November 2016.

 

Bisel lost her husband of 26 years, Ned, to lung cancer in 2011. By the time they found his cancer, it was too late to do much.

 

In a serendipitous twist, Bisel works for Spectrum Health as the manager of cancer program compliance. In this role, she helped develop the lung mass and cancer multi-specialty team. Bisel also helped plan a symposium for primary care physicians to learn more about cancer screening, including lung cancer. Dr. Litt attended that symposium.

 

“We are so thankful (Dr. Litt) ordered the CT scan, and we think it saved his life,” Bisel said. “This validates how important this stuff is.”

 

Those eligible for the screening program are active smokers with a history of 30 or more pack years and former smokers who have quit within the past 15 years. (Pack years is calculated by multiplying packs per day by years smoked.)

 

Patients with lower risk who do not meet those guidelines may speak with their doctors about whether they would benefit from screening outside of the program, Dr. McClelland said.

 

Patients like Hasart, who have quit smoking, can sometimes be forgotten, Dr. Litt said.

 

“This reinforces my faith in primary and preventive care,” Dr. Litt said. “You want to intervene before things go out of control, before things go in the wrong direction.”

 

Photo by Chris Clark, Spectrum Health Beat

Dr. Litt grew humble when she heard Hasart credited her with saving his life.

 

“I was doing my job as any good primary care physician should be doing,” she said. “I’m grateful and thankful he thinks highly of me, but mostly I am grateful he is doing well.”

 

Hasart is now focused on enjoying his retirement. He works part-time driving cars to the east side of Michigan for auto dealers. Most of the time, however, you will find him on the golf course or in the kitchen baking or cooking.

 

His last day of chemotherapy treatment was Valentine’s Day. He couldn’t wait to get home to make lobster dinner for Bisel.

 

That day, Bisel’s assistant, Diane Ivy, came down from her office in the cancer center with a celebratory gift for Hasart—a mix of cookies, a chocolate rose, a teddy bear and other goodies.

 

“I just wanted to come and see you for the last day,” she said.

 

The teddy bear, she said, was for “whenever you need a hug and Deb is not there.”

 

As Hasart readied to leave, a nurse wished him well and asked how he felt.

 

“I don’t feel sad, that’s for sure,” he said.

 

Reprinted with permission from Spectrum Health Beat.

Award-winning Production Designer to speak on ‘The Art of Film Production Design’ at Calvin College

jeannine_oppewall_destaqueOn October 6 and 7, local film aficionados will have the opportunity to meet a motion picture industry great: Jeannine Oppewall, a highly respected production designer, art director and Calvin College alum, will share her ideas and experiences as a motion picture production designer during a Q&A after the screening of Catch Me If You Can at Celebration! Cinema North on October 6.

The following evening, Oppewall will present ‘Design and Ideas in the Film Industry’ at Calvin College. Both events are free and comprise the Loeks Inaugural Lecture in Film & Media, co-produced by Calvin College and Celebration! Cinema. RSVPs are required for the film screening. (Go here.)

About Jeannine Oppewall:
Professional on set, modest in her personal life, and an engaging conversationalist, Oppewall makes magic by turning a director’s vision (or lack thereof) into a coherent whole. Meticulous attention to detail is just one of her hallmarks. She has received numerous accolades, including the Camerimage Award to Production Designer with Unique Visual Sensitivity in 2014. Photo credit: Academy of Motion Picture Arts and Sciences

Simply stated, Oppewall is responsible “for everything an actor walks in front of, sits on, drives through or picks up.” In addition, each item must be historically accurate, right down to the color and texture. She has worked on more than 30 movies in such roles as production designer, set decorator and set designer.

Depending on the project, Oppewall may or may not receive any overall direction. To illustrate the enormity of the job, each project may take up to nine months of her life, working 14-hour days.

“A large number of directors don’t have a vision,” she said. “Some are visual, some are verbal and some are not interested as long as I get the job done.”

For exJeannine_Oppewallample, on Bridges of Madison County, Clint Eastwood was very hands off. On Tender Mercies, Oppewall received only five or six specifications on production design from director Bruce Beresford.

“It depends on the individual,” she said.

Overall, to succeed in her field, designs must be clean, neat and simple. For Oppewall, this is not a problem; design is in her genes.

“I came from family of designers and tried to intellectualize my interest in art, theater and culture,” she said. “I wanted to be the family intellectual, but the genes won out.”

In an industry dominated by high-powered males, Oppewall credits her years as editor of Chimes, the Calvin College student newspaper, for toughening her up; working with the big boys in Hollywood doesn’t intimidate her one iota.

“I was young and stupid and chaotic and idea-driven,” said Oppewall of her tenure at Chimes. “I was full of righteousness. But I learned how to assert myself and stand up for myself. I gave as good as I got, and I learned how to deal with males.”

And she does not cry. Ever.

“I get angry, but I do not cry,” Oppewall says. “I don’t know how to do it.”

On rare occasions, however, she may be rendered speechless. In her twenties, she worked for iconic American designer Charles Eames. She had lucked into the job by first touring the Eames studio and then asking a secretary if there were any positions open. Serendipity. There was.

“They needed someone to curate the slide library, black-and-white negatives and photos, and do reading and research for the National Council of Arts,” Oppewall said. IMG_0160

Another aspect of the job concerned film post-production. She knew she could handle everything but film post-production. She didn’t let that stop her.

“I made a few phone calls and contacted someone I knew who was knowledgeable about film post-production,” said Oppewall. “He told me to meet him at the Technicolor plant. ‘I will show you what your job is,’ he told me. ‘If you know your job, it will make my job easier.’”

Much later, during a conversation with Eames, “out of nowhere, he broke out singing, ‘Jeannine, My Queen of Lilac Time,’ the same way my mother did when I was a young girl,” said Oppewall. “I was flummoxed.”

She has this advice for newcomers to the film industry: “In Hollywood, you can find out everything about anyone,” she said. “All it takes is two well-placed phone calls, and you will know everything about everybody, if you know just whom to call. Find two people who like you and want to help you. That is how you begin.”

About the film:
detailStarring Leonardo DiCaprio, Catch Me If You Can is based on the true story of Frank Abagnale, Jr., who worked as a doctor, a lawyer, and as a co-pilot for a major airline—all before his 18th birthday.

Abagnale (Leonardo DiCaprio) was a master of deception and also a brilliant forger, whose skill gave him his first real claim to fame: At the age of 17, Abagnale became the most successful bank robber in the history of the U.S. FBI Agent Carl Hanratty (Tom Hanks) makes it his prime mission to capture Frank and bring him to justice, but Frank is always one step ahead of him.

WHEN: October 6 at 7 p.m. WHERE: Celebration! Cinema North. Click here to RSVP.

About the lecture:
On October 7 at 7:30 p.m., Jeannine Oppewall will present ‘Design and Ideas in the Film Industry.’ Using illustrations and anecdotes, Oppewall will explain how she expresses color, shape, texture, location, and construction on a project.

“It’s something I do by instinct, and most people have no idea what I do,” said Oppewall.

The event is free and open to the public. WHERE: Covenant Fine Arts Center Recital Hall, Calvin College.

UICA Partners with Downtown Market for ‘Big Screen Cuisine’ Series

chocolat-5010485f4d4f4In a world where food and film are the modern expressions of culture, the Grand Rapids Downtown Market and the UICA announce “Big Screen Cuisine,” an interactive culinary and cinematic experience that seeks to bring dishes to life that are inspired by classic and modern foodie film favorites and accompanied by a same-day movie screening.“Big Screen Cuisine” makes its debut on Sunday, September 27. Ticket prices will vary and will allow attendees to engage in a hands-on, top-level culinary food experience with fantastic food from local chefs. Attendees will also have the opportunity to tour the UICA, relax in the theatre, and watch the paired movie with a new and very personal understanding of all the culinary scenes they’re viewing. Depending on the experience, the culinary portion of the night may fall before or after the screenings.“Big Screen Cuisine will utilize films from all over the world while exploring diverse cultures and food histories through hands-on connection and interaction,” said Mimi Fritz, president and CEO of the Downtown Market. “Our goal is to help educate cooks of all ages and experience by bringing to life the flavors from the big screen.”Over the course of the year-round, once-monthly film series, guests will be treated to various lessons in creating delicacies such as chocolate, pastries, cocktails, French cuisine as well as wine tastings and charcuterie, an all-ages cooking class and even an occasional succulent chef’s dinner.

“UICA and the Downtown Market are creating a deliberate connection between the sights and sounds of the film experience with the tastes and aromas of the local food culture,” said Miranda Krajniakexecutive director of the UICA. “Audiences can explore the UICA and broaden their knowledge of not only art, but food, film and how they translate into a unified experience.”

For more info, click here.

Here’s the full schedule of screenings:

  • Sept. 27Chocolat; chocolate class: 3 p.m. – 5 p.m., movie at 5:30 p.m.
  • Oct. 18Sideways; wine tasting and charcuterie 3 p.m. – 5 p.m., movie at 5:30 p.m.
  • Nov. 22Ratatouille; all-ages cooking class 3 p.m. – 5 p.m., movie at 5:30 p.m.
  • Dec. 6Babette’s Feast; movie at 3 p.m., chef’s dinner at 5:30 p.m.
  • Jan. 24Hey Bartender; cocktail class and charcuterie 3 p.m. – 5 p.m., movie at 5:30 p.m.
  • Feb. 21The 1000-foot Journey; movie at 3 p.m., chef’s dinner at 5:30 p.m.
  • Mar. 27Grand Budapest Hotel; pastry class 3 p.m. – 5 p.m., movie at 5:30 p.m.
  • Apr. 17Bottle Shock; wine tasting and charcuterie 3 p.m. – 5 p.m., movie at 5:30 p.m.
  • May 15The Big Night; movie at 3 p.m., chef’s dinner at 5:30 p.m.
  • Jun. 26Julie & Julia; movie at 3 p.m., French cooking class at 5:30 p.m.
  • Jul. 17Waitress; pie class 3 p.m. – 5 p.m., movie at 5:30 p.m.
  • Aug 28: Like Water For Chocolate; movie at 3 p.m., chef’s dinner at 5:30 p.m.