From their GRAMMY® Award-winning 2004 Go Tell It on the Mountain and 2014 Talkin’ Christmas albums, this holiday performance has thrilled sell-out audiences across the United States.
Executive & Artistic Director of SCMC Cathy Holbrook says, “We are so excited to present the 5-time GRAMMY® Award-winning Blind Boys of Alabama in concert at SCMC this holiday season! Royce Auditorium will be filled with joy during their performance on December 5.”
Raising roofs and crossing boundaries
The Blind Boys of Alabama perform live shows that are roof-raising musical events that appeal to audiences of all cultures. The Blind Boys are known for crossing multiple musical boundaries with their remarkable interpretations of everything from traditional gospel favorites to contemporary spiritual material.
Since the original members first sang together as kids at the Alabama Institute for the Negro Blind in the late 1930s, the band has persevered through seven decades to become one of the most recognized and decorated roots music groups in the world.
“Seeing the Blind Boys of Alabama in concert is part living history, part concert, all uplifting experience…the best moments come when the group join forces for stirring harmonies,” claims The Washington Post.
Achieving dreams and world recognition
The Blind Boys’ career spans over 75 years (Courtesy Photo)
The Blind Boys’ music has not only endured, but thrived during seven decades of world events and is recognized worldwide as living legends and modern-day innovators.
Band members Jimmy “Jimster” Carter, Ricky McKinnie, Paul Beasley, Rev. Julius Love, newest addition Sterling Glass, and led by Music Director and lead guitarist Joey Williams helped create a new gospel sound for the 21st century.
Celebrated by The National Endowment for the Arts (NEA), the National Academy of Recording Arts and Sciences (NARAS) with Lifetime Achievement Awards, and inducted into the Gospel Music Hall of Fame, Blind Boys of Alabama are also winners of fiveGRAMMY® Awards.
Tickets for The Blind Boys of Alabama Christmas Show are $60, $45 and $30 at scmcgr.org or by calling 616-459-2224.
It will be (jazz) party time at St. Cecilia Music Center his week with Delfeayo Marsalis (center) and his Jazz Orchestra in concert. (Supplied/Zac Smith)
By Philip Janowski, WKTV Contributing Writer
St. Cecilia Music Center will be hosting a Jazz Party this week, and what a band to be partying to — acclaimed trombonist, composer and producer Delfeayo Marsalis and his Uptown Jazz Orchestra — as the final concert of the venue’s 2021-22 jazz series on Thursday, April 14.
Delfeayo Marsalis will be leading his Uptown Jazz Orchestra. (Supplied)
Marsalis’ style “promotes the optimism and progressive musical thought coexisting in modern New Orleans jazz,” according to supplied promotional material.
“What the country and the world need now more than ever is some good New Orleans music to give everyone a little joy,” Marsalis said in a published interview with Voice of OC.
Tickets for the concert are still available and can be purchased online at scmc-online.org or by calling St. Cecilia Music Center at 616-459-2224.
Featuring as many as 18 accomplished musicians, the Uptown Jazz Orchestra “sets the global standard for celebrating jazz in its authentic musical form,” according to promotional material, “inspiring the next generation of jazz musicians, and promoting a culture of diversity, inclusion and accessibility in the arts.”
Oh, ya. And they love a good jazz party.
Marsalis and a family of jazz
Delfeayo Marsalis has dedicated his prolific career to music theater and education. As part of the Marsalis family of musicians, which included the patriarch of “America’s first family of jazz”, his late father, Ellis, the artist was destined to a life in music.
Delfeayo Marsalis, with his instrument of choice. (Supplied/Zac Smith)
Marsalis has toured internationally with jazz legends such as Ray Charles, Art Blakey, Max Roach, Elvin Jones and Slide Hampton. At the age of 17, Marsalis began his career as a producer and has to date produced over 120 recordings garnering a Grammy award and several nominations.
When it came to being the trombone player of the family, Delfeayo has often said it “kind of suited our personality,” as his dad was playing piano and two of his brothers (Wynton on trumpet and Branford on tenor sax) were soloists already.
Delfeayo Marsalis has a dual Bachelor’s degree in Music performance and Production from the Berklee College of Music, and a Masters in Jazz Performance from the University of Louisville, as well as a doctorate from the New England College.
Health and Safety Requirements
According to supplied material, St. Cecilia currently requires proof of fully vaccinated status, or a negative COVID test taken within 72 hours, to attend a concert at the SCMC venue. Attendees need to bring photo ID and proof of vaccination, or a negative test, the night of a concert. Home tests are not accepted. All patrons will be required to wear a mask while in the building for the duration of the concert.
If patrons have tickets to an upcoming performance and are unwilling or unable to abide by this policy, please contact the SCMC box office for a refund at kelly@scmc-online.org a minimum of 48 hours prior to the concert date.
Scene from the 2019 “Eat. Drink. Be Merry!” annual fundraising event hosted by Martha’s Vineyard to benefit St. Cecilia Music Center. (Supplied)
Scene from the 2019 “Eat. Drink. Be Merry!” annual fundraising event hosted by Martha’s Vineyard to benefit St. Cecilia Music Center. (Supplied)
Scene from the 2019 “Eat. Drink. Be Merry!” annual fundraising event hosted by Martha’s Vineyard to benefit St. Cecilia Music Center. (Supplied)
Scene from the 2019 “Eat. Drink. Be Merry!” annual fundraising event hosted by Martha’s Vineyard to benefit St. Cecilia Music Center. (Supplied)
By WKTV Staff
After a two-year hiatus due to pandemic restrictions, “Eat. Drink. Be Merry!”, an annual fundraising event hosted by Martha’s Vineyard to benefit St. Cecilia Music Center, will return Saturday, April 16, from 6 to 9 p.m.
St. Cecilia Music Center. (WKTV)
In past years, the fundraiser has brought more than 300 people to participate in wine-tasting, food sampling and a silent auction on three floors of the historic St. Cecilia Music Center (SCMC) building, according to an announcement from St. Cecilia.
“As an important fundraiser for SCMC, we’re grateful to Martha’s Vineyard for standing by us during these difficult times, and now bringing back this wonderful event to help fund our music and educational programs,” Cathy Holbrook, executive and artistic director, said in supplied material. “As a (non-profit) 501(C) 3 organization we depend on generous funding and donations.”
Eat. Drink. Be Merry! will include over 100 varietals of wines from around the world sold at Martha’s Vineyard. During the event, wine experts and vendors will present the wines and provide information. “Hearty hors d’oeuvres” will be served by Catering by Martha’s and Nantucket Baking Company.
Musical entertainment and a silent auction will also be a part of the festivities. The silent auction will focus on food and wine items donated by local restaurants and other businesses.
Eat. Drink. Be Merry! will be held at St. Cecilia, 24 Ransom NE, downtown Grand Rapids/ Tickets are $50 per person. Advance tickets can be purchased online at scmc-online.org, or by calling St. Cecilia Music Center at 616-459-2224.
Several Chamber Music Society of Lincoln Center (CMS) musicians will perform, including pianists Anne-Marie McDermott and Zhu Wang, as well as violinist Ida Kavafian and the Orion String Quartet (violinists Daniel Phillips, Todd Phillips and Steven Tenenbom, and cellist Timothy Eddy). (Supplied)
By WKTV Staff
St. Cecilia Music Center’s final Chamber Music Society of Lincoln Center concert of the 2021-22 season, set for Thursday, March 31, will present classical music influenced by “The Jazz Effect” and featuring works by composers Wynton Marsalis, George Gershwin, Maurice Ravel and Darius Milhaud.
Seven Chamber Music Society of Lincoln Center (CMS) musicians will perform, including pianists Anne-Marie McDermott and Zhu Wang — including in a rare “four hands” piece, as well as violinist Ida Kavafian and the Orion String Quartet (violinists Daniel Phillips, Todd Phillips and Steven Tenenbom, and cellist Timothy Eddy).
Chamber Music Society of Lincoln Center (CMS) pianists Anne-Marie McDermott and Zhu Wang will perform in a “four hands” piece. (Pixaby)
“The Jazz Effect” program will include Ravel’s Sonata for Violin and Piano, Marsalis’ Selections from At the Octoroon Balls for String Quartet, Milhaud’s La création du monde for piano quintet, Op. 81, and Gershwin’s Rhapsody in Blue for piano, four hands (arr. Henry Levine).
Tickets for the concert are available and can be purchased online at scmc-online.org or by calling St. Cecilia Music Center at 616-459-2224.
While the series of short pieces by Marsalis may be among the more unique of the program — set to include “Come Long Fiddler”, “Mating Calls and Delta Rhythms”, “Creole Contradanzas”, “Many Gone”, “Hellbound Highball”, “Blue Light on the Bayou” and “Rampart Street Row House Rag” — the Gershwin work is set to close the night for good reason.
“In terms of pure musicality, George Gershwin was America’s Schubert,” according to promotional material. “He composed with a creativity and skill that immortalized his art, and hardly any of his works is more embedded in the world’s musical consciousness than Rhapsody in Blue, originally described by Gershwin as a “symphony” for piano solo and jazz band. This extraordinary chamber music program pays tribute to great composers who crossed the bridge between the classical and jazz idiom, with dazzling results.”
And having Ann-Marie McDermott and Zhu Wang, and their four hands, on the keyboard should be unforgettable.
Health and safety requirements
According to supplied material, St. Cecilia currently requires proof of fully vaccinated status, or a negative COVID test taken within 72 hours, to attend a concert at the SCMC venue. Attendees need to bring photo ID and proof of vaccination, or a negative test, the night of a concert. Home tests are not accepted. All patrons will be required to wear a mask while in the building for the duration of the concert.
If patrons have tickets to an upcoming performance and are unwilling or unable to abide by this policy, please contact the SCMC box office for a refund at kelly@scmc-online.org a minimum of 48 hours prior to the concert date.
Dee Dee Bridgewater — Michigan native, GRAMMY winning jazz vocalist extraordinaire, Tony winning actress, United Nations Goodwill Ambassador — will need little or no introduction when she is introduced before hitting the St. Cecilia Music Center’s Royce Auditorium stage later this month.
And her accompanist, GRAMMY winning jazz pianist Bill Charlap, is not far behind in jazz star power.
So it is sure to be a night of superb “re-envisioning jazz classics” when the two perform as the next concert in the St. Cecilia Jazz Series Thursday, March 10, with tickets still available.
Dee Dee Bridgewater. (Supplied)
“Over the course of a multifaceted career spanning four decades, Grammy and Tony Award-winning Jazz giant Dee Dee Bridgewater has ascended to the upper echelon of vocalists, putting her unique spin on standards, as well as taking intrepid leaps of faith in re-envisioning jazz classics,” it states on her record label website.
Ever the “fearless voyager, explorer, pioneer and keeper of (jazz) tradition,” the three-time Grammy-winner most recently won the Grammy for Best Jazz Vocal Album for “Eleanora Fagan (1915-1959): To Billie With Love From Dee Dee” — Eleanora Fagan was Holiday’s actual name.
Her latest CD release, in 2019, created as part of her induction in the Memphis Music Hall of Fame was, appropriately titled “Memphis, Yes…I’m Ready.”
“These were songs I listened to on the famous Black radio station WDIA, where my own father, Matthew Garrett, was a young on-air DJ,” Bridgewater said about the release in supplied material. “I was born in Memphis, but my family migrated north to Flint, Michigan when I was 3 years old. The South has always remained buried in me and coming back for this recording project has brought me full circle in my life.”
Bill Charlap. (Supplied)
Charlap, considered one of the world’s premier jazz pianists, has performed and recorded with many leading artists of our time, ranging from jazz masters Phil Woods and Wynton Marsalis to singers Tony Bennett and Barbra Streisand.
In 2016, Charlap won the GRAMMY for Best Traditional Pop Vocal Album. Since 1997, he has led the Bill Charlap Trio, now recognized as one of the leading groups in jazz.
“We are thrilled to bring the amazing Dee Dee Bridgewater to St. Cecilia Music Center to hear her gorgeous voice and unique spin on beloved jazz classics and her own new music “Memphis”, St. Cecilia executive and artistic director Cathy Holbrook said in supplied material. “It will certainly be a special evening to see Dee Dee and Bill Charlap performing together within our intimate Royce Auditorium setting.”
Bridgewater’s history of music, activism
Bridgewater earned her first professional experience as a member of the legendary Thad Jones/Mel Lewis Big Band, and throughout the 1970’s she performed with such jazz notables as Max Roach, Sonny Rollins, Dexter Gordon and Dizzy Gillespie. After a foray into the pop world during the 1980s, she relocated to Paris and began to turn her attention back to jazz.
Bridgewater, who produces all of her own recordings, boasts a series of critically-acclaimed releases, with almost all having received GRAMMY nominations.
Bridgewater also pursued a parallel career in musical theater, winning a Tony Award for her role as “Glinda” in The Wiz in 1975 but continuing with playing Billie Holiday in the off-Broadway production of “Lady Day”, and numerous her other theatrical credits.
As a Goodwill Ambassador to the United Nations’ Food and Agriculture Organization, Bridgewater continues to appeal for international solidarity to finance global grassroots projects in the fight against world hunger.
In April 2017 was the recipient of an NEA Jazz Masters Fellows Award at the Kennedy Center in Washington, D.C.. and that same year she was presented with the ASCAP Foundation Champions award acknowledging her charitable contributions.
What’s next; what protocols to expect
The final concert of the St. Cecilia’s 2021-22 Jazz Series will be April 14, as, Delfeayo Marsalis and the Uptown Jazz Orchestra perform a night of big band favorites.
Tickets to Dee Dee Bridgewater and Bill Charlap, and Delfeayo Marsalis and the Uptown Jazz Orchestra, can be purchased online at scmc-online.org or by calling St. Cecilia Music Center at 616-459-2224.
St. Cecilia currently requires proof of fully vaccinated status, or a negative COVID test taken within 72 hours, to attend a concert at the SCMC venue. Attendees need to bring photo ID and proof of vaccination, or a negative test, the night of a concert. Note: Home tests are not accepted.
All patrons are required to wear a mask for the full duration of their time in the building.
If you have tickets to an upcoming performance and are unwilling or unable to abide by this policy, please contact the SCMC box office for a refund at kelly@scmc-online.org a minimum of 48 hours prior to the concert date.
Christian McBride, from a 2008 concert, is no stranger to St. Cecilia Music Center. (St. Cecilia Music Center)
By WKTV Staff
St. Cecilia Music Center has announced that special $10 student tickets are available for the this weekend’s three-day WinterFest “jazz festival”, Thursday through Saturday, Feb. 24-26, all shows with headliner bassist Christian McBride.
To redeem student priced tickets visit scmc-online.org/winterfest/ and click on the night(s) you would like to attend. Go through the process of finding your seats and buying tickets. When you check out, enter the discount code STUDENTWF22 and it will adjust the price to $10. There is a $3 ticketing fee per ticket.
On Thursday, Christian McBride & Friends will offer up a unique pairing with fellow bassist Edgar Meyer for a “double bass extravaganza”; then on Friday The Christian McBride Trio takes the stage with special guest jazz singer Cyrille Aimée; and on the final evening, Saturday, McBride and his award-winning quintet, Inside Straight, will hit the stage.
For more information call St. Cecilia Music Center at 616-459-2224.
And the rules at St. Cecilia
St. Cecilia currently requires proof of fully vaccinated status, or a negative COVID test taken within 72 hours, to attend a concert at the SCMC venue. Attendees need to bring photo ID and proof of vaccination, or a negative test, the night of a concert. Note: Home tests are not accepted.
All patrons are required to wear a mask for the full duration of their time in the building.
If you have tickets to an upcoming performance and are unwilling or unable to abide by this policy, please contact the SCMC box office for a refund at kelly@scmc-online.org a minimum of 48 hours prior to the concert date.
One of Christian McBride’s many musical “hats”, rejoining “A Moodswing Reunion” for a new release and a 2022 tour with, from left, drummer Brian Blade, McBride, saxophonist Joshua Redman, and pianist Brad Mehldau. (Nonsuch Records)
It is no secret that bassist Christian McBride wears many hats — a good number of photographs have him wearing one. But the “many hats” metaphor applies not only to his headgear but where his head is at, musically.
Over his legendary and GRAMMY filled career, dating back now more than 30 years, McBride has slid his stand-up bass in alongside artists ranging from Chaka Khan to Shanghai Quartet; he has effortlessly excelled in jazz, pop, rock and classical, all with little or no real meaning to labels or genres; and he and his bass, it seems — to morph an old phrase — can lead, follow, but never get out of the way.
Christian McBride, from a 2008 concert, is no stranger to St. Cecilia Music Center. (St. Cecilia Music Center)
McBride’s many music hats, and many musical friends, will be on full display at St. Cecilia Music Center’s three-day WinterFest “jazz festival” Thursday through Saturday, Feb. 24-26.
First, Christian McBride & Friends will offer up a unique pairing with fellow bassist Edgar Meyer for a “double bass extravaganza”, then The Christian McBride Trio takes the stage with special guest jazz singer Cyrille Aimée, and on the final evening, McBride and his award-winning quintet, Inside Straight, will hit the stage.
Tickets for the series, and individual shows, are still available — $123 for the full series, $40 to $55 per single concert — and tickets can be purchased online at scmc-online.org or by calling St. Cecilia Music Center at 616-459-2224.
Man with many hats
McBride moved to New York in 1989 to pursue classical studies at the Juilliard School, but he was quickly recruited to hit the road with jazz saxophonist (and composer, arranger and educator) Bobby Watson. From there he gained masterclass after masterclass from the who’s who of music until he, himself, became the master.
Christian McBride. (Artist’s Facebook Page)
He leads his own bands, starting in 2000 with the formation of what would become his longest-running project, the genre-bending Christian McBride Band, to the 2009 formation of his more “straight-ahead” Inside Straight quintet, to the later Christian McBride Big Band, whose 2012 release The Good Feeling won the GRAMMY for Best Large Ensemble Jazz Album.
He joins other groups, jazz and otherwise, all-star and Young Lion-filled, including the modern who’s who of straight ahead jazz in the legendary 1994 “MoodSwing” quartet of saxophonist Joshua Redman, McBride, pianist Brad Mehldau and drummer Brian Blade — a group that will hit the road again in “A Moodswing Reunion” this spring including a stop in Ann Arbor in April.
Along the way, McBride was named the artistic director of the Newport Jazz Festival, arguably one of the top three jazz festivals in the world; he hosts and produces “The Lowdown: Conversations With Christian” on SiriusXM satellite radio and National Public Radio’s “Jazz Night in America”; and, with his wife, vocalist Melissa Walker, he formed Jazz House Kids, the nationally recognized community arts organization dedicated to educating children through jazz, but developing musical potential, leadership skills, and academic performance.
Oh, ya. And he has made a lot of musical friends.
Three nights; three vibes
McBride’s opening-night friend, GRAMMY winning bassist Edgar Meyer, is both a unique performer and an accomplished composer, and as The New Yorker says, he “is the most remarkable virtuoso in the relatively un-chronicled history of his instrument.”
Edgar Meyer. (Supplied photo by Jim McGuire)
His musical uniqueness was on full display in 2011 when Meyer joined cellist Yo-Yo Ma, mandolinist Chris Thile, and fiddler Stuart Duncan for the recording The Goat Rodeo Sessions which was awarded the 2012 GRAMMY Award for Best Folk Album.
As a composer, his uniqueness was also on full display as he has collaborated with Béla Fleck and Zakir Hussain to write a triple concerto for double bass, banjo, and tabla, which was commissioned for the opening of the Schermerhorn Symphony Center in Nashville.
The pairing of McBride and Meyer will also, to say the least, be unique.
Cyrille Aimée. (Supplied)
The next night, McBride’s trio will team with vocalist Cyrille Aimée, who, the story goes, grew up singing at gypsy camps in her native France and on street corners around Europe, graduated to facing audiences at the world’s most prestigious jazz festivals, not the least of which was the Montreux Jazz Festival.
But her singing is only part of her story. As an actress, Aimée co-starred with Bernadette Peters in a Stephen Sondheim tribute at New York’s City Center, which inspired her to dig deeper into Sondheim’s repertoire, resulting in her fourth and most recent album, “Move On: A Sondheim Adventure.”
And then, on the final night of the WinterFest, McBride will be on stage with his Inside Straight cohorts — drummer Carl Allen, saxophonist Steve Wilson, pianist Peter Martin (who replaced the band’s original pianist Eric Reed) and now joined by young vibraphonist Warren Wolf.
Inside Straight’s “Christian McBride & Inside Straight Live at the Village Vanguard” is his quintet’s newest recording and, to some, can be thought of as a companion to the GRAMMY Award-winning Christian McBride Trio Live at the Village Vanguard album released in 2015.
And the rules at St. Cecilia
St. Cecilia currently requires proof of fully vaccinated status, or a negative COVID test taken within 72 hours, to attend a concert at the SCMC venue. Attendees need to bring photo ID and proof of vaccination, or a negative test, the night of a concert. Note: Home tests are not accepted.
All patrons are required to wear a mask for the full duration of their time in the building.
If you have tickets to an upcoming performance and are unwilling or unable to abide by this policy, please contact the SCMC box office for a refund at kelly@scmc-online.org a minimum of 48 hours prior to the concert date.
May Erlewine will be bringing her songs, new and old, and a few stories of her songs and songwriting, to St. Cecilia Music Center Feb. 17. (Supplied)
By D.A. Reed, WKTV Contributing Writer
May Erlewine — singer-songwriter, West Michigan native, and no stranger to Grand Rapids audiences and soundtracks — plans a creative twist for her Feb. 17 concert at St. Cecilia Music Center, when she will debut her new release, “Tiny Beautiful Things”.
And music will be only part of it.
“(Tiny Beautiful Things) is about exchange and all these different faces of love,” Erlewine told WKTV. “The record has songs about falling in love, songs about falling out of love, songs about loving your children, songs about loving those who have passed on, all of the many incarnations love finds in our lives. The sentiment is that love is always there.
“One of the ways I wanted to present this was by reading some letters throughout the concert and share these different incarnations of love and connection.”
Tickets for May Erlewine’s Feb. 17 Folk Series concert can be purchased online at scmc-online.org or by calling St. Cecilia Music Center at 616-459-2224.
“We are excited to bring May Erlewine back to SCMC,” Cathy Holbrook, St. Cecilia Music Center executive/artistic Director, said in supplied material. “She appeared here many years ago when we first started our folk series. It’s exciting that May can highlight her new album with this show and that audience members will have the chance to purchase the new album that night.”
The artist’s music and life
Not only will the St. Cecilia audience be treated to new songs and the opportunity to purchase Erlewine’s new album, they will also be treated to a more personal aspect of the songwriter’s life.
Erlewine is a strong believer that sharing our connections with others throughout life can do much to enrich our lives. An avid letter writer, Erlewine plans to share snippets of her own correspondence with loved ones over the years to highlight this belief.
May Erlewine. (Supplied)
“Part of the reason I wanted to do this was to remind people how important it is for us to stay connected in a time where most of us are unable to be close to our loved ones,” Erlewine said. “We have all been through a lot of changes and had to sacrifice a lot through this difficult time. We are still very connected in community even though we haven’t been able to actively feel that connection.”
Erlewine urges people to reach out to their loved ones in both little and big ways.
Connection has always been a vital and powerful aspect of Erlewine’s life, even prompting a cross-country journey at age 16.
“I was really curious about seeing the country, seeing how different people lived,” she said. “And I think one of the main reasons I wanted to do that is that I love to hear people’s stories. Songs are basically stories, so I found a great way to share the ones I’ve collected.”
Collecting and listening to stories of people’s lives has always fascinated the songwriter and has been a catalyst for several of her songs.
“We are all living a similar human experience, but we all have these incredible unique things that have happened to us in our lives,” Erlewine said. “There is a lot of meaning and depth in sharing those things.”
Connecting to music young
Erlewine said she felt the power of music at the young age of 12, when she picked up a guitar for the first time.
“I was immediately inspired to write a song. When I did that, I had this ‘aha’ moment of ‘This is something I’m supposed to do. This is my way of expressing myself in the world.’ I just didn’t stop from that point on.”
May Erlewine (Supplied/Michael Poehlman)
Over the years, Erlewine has used her music as a platform for positive change, whether it be individual or as a community, environmental, or even regarding social justice. Her catalog of albums and collaborations gives voice to these themes. (Checkout a 2019 WKTV feature on her “Second Sight” release, and its social/political themes.)
“I had a revelation that music is part of a very long-standing tradition, much larger than just me and what I am feeling,” said Erlewine. “It encompassed something much bigger. I wanted to serve that.”
The passion listeners hear in Erlewine’s voice and songs comes from a deep-seated belief in the power of music to connect people no matter where they come from or what their beliefs are.
“Music has a lot of power in community to bring people together, to speak about issues that are happening around us. That folk tradition of being a voice for the people is something I really believe in and have embraced in my path of music.”
When asked about the fearlessness demonstrated in using her music to speak on social and political issues, Erlewine likened it more to strength.
“It’s always scary to be vulnerable,” Erlewine said. “It takes a lot of strength to go there.”
What helps Erlewine is focusing on what she feels is the “most honest thing to do.”
“I have a strong sense that if something feels like the right thing to do,” the songwriter said, “even if it’s scary or even if it puts me in harm’s way, if it’s the right thing to do…then I know that it is part of my path, and I trust that.”
Erlewine’s daughter also plays a large part in giving the songwriter the courage and strength to do what she feels is right.
“When I think about my daughter and her living in this world after I’m gone, I ask, what things can I do that will impact her future in a way that matters to me? That has definitely added some fuel to those moments where I might feel more shaky. This is not just for me, this is for future generations.”
The Chamber Music Society (CMS) of Lincoln Center musicians scheduled to perform include, clockwise from top left, co-Artistic Director and pianist Wu Han, violinist Aaron Boyd, violinist Danbi Um, violist Paul Neubauer, violist Timothy Riout and cellist Sihao He. (Supplied)
St. Cecilia Music Center is celebrating 10 seasons of partnership with Chamber Music Society of Lincoln Center, and local chamber music fans will likely be celebrating Jan. 27 as the series’ second concert of the 2021-22 season, “Romantic Perspectives” will feature music of Brahms, Mahler, Dvorak, and Franck.
The Chamber Music Society (CMS) of Lincoln Center musicians scheduled to perform include co-Artistic Director and pianist Wu Han, violinist Aaron Boyd, violinist Danbi Um, violist Paul Neubauer, violist Timothy Riout and cellist Sihao He.
Wu Han and other members of the Chamber Music Society of Lincoln Center will be in concert at St. Cecilia Music Center. (Supplied/Lisa-marie Mazzucco)
“To hear the exquisite blend of six outstanding Chamber Music musicians performing the works of Brahms, Mahler, Dvorak and Franck will be a captivating highlight of this monumental season,” Cathy Holbrook, St. Cecilia Music Center (SCMC) executive and artistic director, said in supplied material.
The final concert of the St. Cecilia chamber music series will be March 31 and will feature George Gershwin’s “Rhapsody in Blue”, as well as music by Maurice Ravel, Darius Milhaud, and Wynton Marsalis.
Tickets for CMS of Lincoln Center concerts can be purchased online at scmc-online.org or by calling St. Cecilia Music Center at 616-459-2224.
‘Romantic Perspectives’ background and program
The Romantic movement in classical music blossomed across Europe during the 19th Century, as stated in supplied material, and was “fueled by the vision of Beethoven, the poetry of Schubert, and the hyper-emotionalism of Schumann, composers tapped their inner selves, often deeply inspired by their native cultures.”
Johannes Brahms, declared to be the heir to the mantle of Beethoven, adhered to the discipline of the classical age, yet, few have ever composed more romantically and with such passion. Gustav Mahler, whose symphonies expanded music’s horizon by leaps and bounds, penned his only work of chamber music, an achingly beautiful movement, as an idealistic student.
And César Franck, the lion of French romantic composers, brought all his sensuousness and seriousness to this epic quintet, one of the literature’s most cherished masterpieces.
The program includes:
Johannes Brahms (1833 – 1897), Scherzo, WoO 2, from “F-A-E” Sonata for Violin and Piano (1853).
Gustav Mahler (1860 – 1911), Quartet in A minor for Piano, Violin, Viola, and Cello (1876)
Antonin Dvorak (1841 – 1904), Quintet in A minor for Two Violins, Two Violas, and Cello, Op. 1 (1861)
Cesar Franck (1822 – 1890), Quintet in F minor for Piano, Two Violins, Viola, and Cello (1879)
SCMC special pandemic precautions
SCMC currently requires proof of fully vaccinated status, or a negative COVID test taken within 72 hours, to attend a concert at the SCMC venue. Attendees need to bring photo ID and proof of vaccination, or a negative test, the night of a concert. Home tests are not accepted. All patrons will be required to wear a mask while in the building for the duration of the concert.
All ticket holders will be notified if mandatory mask requirements are in effect for a particular show by an artist. If you a have tickets to an upcoming performance and are unwilling or unable to abide by this policy, please contact the SCMC box office for a refund at kelly@scmc-online.org a minimum of 48 hours prior to the concert date.
For complete information on all shows at St. Cecilia, visit scmc-online.org.
Joshua Redman has a long list of impressive credentials on his musician resume, including being nominated for eight GRAMMY awards. But before that he had an equally impressive educational resume, including being a 1991 graduate from Harvard College after which he was accepted to Yale Law School.
But anybody who has seen him on stage, blowing his saxophone and conversing with the crowd, over the years of his now 30+ year career of playing, recording and writing music, knows he is a jazz man thorough and through.
If you already know, or are yet to find out, local jazz fans will undoubtedly get proof positive Jan. 22 on St. Cecilia ’s Royce Auditorium Stage when Redman and his trio lead off St. Cecilia Music Center’s Jazz Series as the first of three concerts in January, March and April.
And, least we forget, St. Cecilia will also debut Winterfest, a three-day winter jazz festival featuring host Christian McBride “and Friends” Feb. 24-26.
Joshua Redman Quartet (Supplied)
“We are so excited to launch four months of great jazz performances this year beginning with Joshua Redman,” Cathy Holbrook, St. Cecilia executive and artistic director, said in supplied material. “Joshua is one of the most talented and sought-after jazz performers around. Along with a prolific body of celebrated recordings over 25 years, Redman has worked with countless jazz contemporaries as a follow performer and bandleader.”
With the concert set to start at 7:30 p.m., tickets for Redman and his band can be purchased online at scmc-online.org or by calling St. Cecilia Music Center (SCMC) at 616-459-2224.
In addition to Redman, the SCMC Jazz Series includes Dee Dee Bridgewater and Bill Charlap on March 10, and Delfeayo Marsalis and the Uptown Jazz Orchestra on April 14. The first-ever WinterFest jazz program – three consecutive nights of jazz — will be hosted by GRAMMY-winning jazz bassist Christian McBride and feature the Christian McBride Trio, singer Cyrille Aimee, fellow bassist Edgar Meyer, and McBride’s legendary quintet Inside Straight.
Redman and his musical journey
Jazz fans can be a little prickly when it comes to their definition of the musical genre, but a supplied quote from JamBase does have a point when they say “When the conversation ensues about who is carrying on the great tradition of jazz musicianship today … if Joshua Redman’s name does not come up, the conversation is not worth having.”
The innovative saxophonist has made believers of critics and fans alike with his live performances and acclaimed recordings. One of his many-faceted musical ventures, The Joshua Redman Quartet, released an album titled “Come What May” in 2019. But his list of jazz collaborations over the years include ones ranging from McCoy Tyner to Brad Mehldau.
Joshua Redman, from a 2019 concert. (Supplied/Lisa Siciliano)
And the members for the original Joshua Redman Quartet are like a who’s who of the genre — Redman saxophone), Brad Mehldau on piano), Christian McBride on bass, and Brian Blade on drums —a group reunited to release the Grammy-nominated album “RoundAgain” in July 2020.
The son of legendary saxophonist Dewey Redman and dancer Renee Shedroff. Joshua Redman was exposed at an early age by his parents to many genres of music — the story goes — jazz, classical, rock, soul, Indian, Indonesian, Middle Eastern, and African. He was also introduced to a variety of instruments: recorder, piano, guitar, gatham and gamelan. (I had to look those last two up too … they are south Indian and Indonesian percussion instruments.)
After starting off playing clarinet at nine years old, Redman switched to what is his primary instrument, the tenor saxophone. So, of course, his stated early influences were John Coltrane, Ornette Coleman, Cannonball Adderley and his father. But, the story goes, academics were always his priority and he never seriously considered becoming a professional musician until he graduated from Harvard and followed some musician friends to New York City in the 1990s.
Things just sort of rolled on from there.
He began jamming and gigging regularly with some of the leading jazz musicians of his generation — Roy Hargrove, to name just one — and five months after moving to New York, Redman was named the winner of the prestigious Thelonious Monk International Saxophone Competition.
And things just sort of rolled on from there. Lucky us.
In addition to his own projects, Redman has recorded and performed with musicians as diverse as such as Chick Corea and The Dave Matthews Band, Quincy Jones and The Rolling Stones. And along the way he wrote and performed the music for Louis Malle’s final film “Vanya on 42nd Street “ and is both seen and heard in the Robert Altman film “Kansas City”.
SCMC special pandemic precautions
SCMC currently requires proof of fully vaccinated status, or a negative COVID test taken within 72 hours, to attend a concert at the SCMC venue. Attendees need to bring photo ID and proof of vaccination, or a negative test, the night of a concert. Home tests are not accepted. All patrons will be required to wear a mask while in the building for the duration of the concert.
All ticket holders will be notified if mandatory mask requirements are in effect for a particular show by an artist. If you a have tickets to an upcoming performance and are unwilling or unable to abide by this policy, please contact the SCMC box office for a refund at kelly@scmc-online.org a minimum of 48 hours prior to the concert date.
For complete information on all shows at St. Cecilia, visit scmc-online.org.
The family Watkins of Watkins Family Hour, brother and sister Sean and Sara Watkins, have performed separately and together for nearly their whole lives. Growing up near San Diego, they played countless shows at a local pizza place in Carlsbad, Calif., often with their childhood friend, Chris Thile.
What do they say? When it comes to music, it’s the company you keep. And if you know Thile, you know the quality folk company the Watkins siblings keep.
When Watkins Family Hour comes to St. Cecilia Music Center’s Royce Auditorium Stage on Dec. 16, folk/bluegrass music lovers will keep company with the pair — as they perform songs from their 2020 album “brother sister”, and other songs from their catalogue — as well as special guest artist Courtney Hartman.
Hartman, who will lead off the evening starting at 7 p.m., with the Watkins siblings taking the stage at 8 p.m.
Tickets for Watkins Family Hour with Courtney Hartman can be purchased online at scmc-online.org or by calling St. Cecilia Music Center at 616-459-2224.
Folk/bluegrass in their blood
Sean and Sara Watkins grew up playing music alongside Thile in the hugely successful folk and bluegrass band Nickel Creek, an acoustic ensemble that sold millions of albums, won a GRAMMY, and toured the world.
Encouraged by a local club owner in Los Angeles, Sean and Sara formed Watkins Family Hour in 2002 “as an outlet to try out some original songs and a few covers that wouldn’t work in Nickel Creek,” according to supplied material. That club, Largo, has since become the home base for Watkins Family Hour.
When not with Nickel Creek, Sean and Sara have released multiple solo albums and pursued other collaborations, most recently with Sara’s involvement in the group I’m With Her — a GRAMMY nominated female folk trio comprised of Watkins, Sarah Jarosz and Aoife O’Donovan.
Sara has also toured with the Decemberists. Sean has also performed in Fiction Family and the supergroup Works Progress Administration.
Returning to the studio as Watkins Family Hour, the pair released “brother sister”, self-described as “a duo-centric record (but) one that feels bigger than just two people.” With Sean primarily on guitar and Sara on fiddle, and with both sharing vocals, the pair enlisted producer Mike Viola (Jenny Lewis, Mandy Moore, J.S. Ondara) and mixer-engineer Clay Blair to “harness the energy and honesty of their live sound.”
“From the beginning, our goal was to work on these songs to be as strong as they could be, just the two of us,” Sara said in supplied material. “And with a few exceptions on the record, that’s really how things were. However, brother sister remains exactly that – the result of a brother and sister creating music.”
Watkins Family Hour’s “Brother Sister” Album Cover. (Supplied)
On the new release, their musical chemistry is clear on songs like “Lafayette,” an ode to Hollywood as well as the hometowns left behind by its aspiring stars, and “Fake Badge, Real Gun,” about confronting authority figures as well as your own beliefs, according to supplied material.
The pair’s choice of covers on “brother sister” also speak to the musical company their have kept and the music they respect: Warren Zevon’s poignant “Accidentally Like a Martyr” and “Keep It Clean,” the rabble-rousing Charley Jordan gem from the 1930s.
Hartman is a Colorado-born guitarist, singer, writer, and producer. In 2009, Courtney left home for Boston to study American Roots music at Berklee College of Music. She was soon on the road, touring full-time with the Boston-born band, Della Mae. This fall and winter she is touring with her new album, Glade.
St. Cecilia’s folk series lineup continues in New Year
Things really get cookin’ in the Acoustic Café in 2022, starting with local fave May Erlewine on Thursday, Feb. 17 — if you didn’t catch Erlewine’s late 2019 socially/politically charged release “Second Sight”, which was unjustly lost in the shuffle of the pandemic, you missed one of the best local releases in years.
Following Erlewine, Shawn Colvin will make a much-delayed return on Thursday, May 12; followed by the incomparable Judy Collins on Wednesday, May 18.
Tickets for all remaining concerts are available at scmc-online.org or by calling 616-459-2224.
Special note: as of this day/time, SCMC will require proof of fully vaccinated status, or a negative COVID test taken within 48 hours, to attend a concert at the SCMC venue. Attendees need to bring photo ID and proof of vaccination, or a negative test, the night of a concert.
Also, given the current pandemic status, SCMC also “highly recommends” that all attendees wear a mask while in the building.
All ticket holders will be notified if mandatory mask requirements are in effect for a particular show by an artist. If you a have tickets to an upcoming performance and are unwilling or unable to abide by this policy, please contact the SCMC box office for a refund at kelly@scmc-online.org a minimum of 48 hours prior to the concert date.
For complete information on all shows at St. Cecilia, visit scmc-online.org.
St. Cecilia Music Center will host award-winning musicians The Milk Carton Kids, with their “beautiful songs and entertaining stage banter,” on Thursday, Dec. 2 at 7:30 p.m., kicking off the duo’s concert Trans-Atlantic tour through 21 U.S. cities and 5 performances in Spain, Denmark, Sweden, Norway, and England.
Despite the scope of the tour, The Milk Carton Kids are no stranger to Grand Rapids.
“The Milk Carton Kids were a big hit at St. Cecilia Music Center during their first visit here in 2019,” Cathy Holbrook, St. Cecilia Music Center’s Executive & Artistic Director, said in supplied material. “Their loyal fans and people who love folk and Americana music will appreciate Joey Ryan and Kenneth Pattengale’s beautiful songs and entertaining stage banter.”
Tickets for The Milk Carton Kids are available at scmc-online.org or by calling 616-459-2224.
The duo’s newest release, The Only Ones, released in October 2019, takes The Milk Carton Kids back to their roots and the core of what they are musically, and features acoustic performances without a backup band.
“With ‘The Only Ones,’ The Milk Carton Kids go back to their roots: acoustic guitars and ethereal harmonies delivering lyrics that detail all the emotions love evokes,” Americana UK said about the album. “Musical duos will inevitably be compared to those that come before, and while The Milk Carton Kids conjure everyone from Simon and Garfunkel to the O’Kanes, ‘The Only Ones’ prove they can confidently hold their own, alongside their influences.”
This return back to their roots was prompted by several changes in the lives of Ryan and Pattengale. From professional to personal, these changes provided a break from years of non-stop touring that, Ryan says in supplied material, has yielded “space outside of the band that gives us perspective on what the band is.”
In the beginning, a perfect blend
When singers Ryan and Pattengale first connected, it was a pivotal moment for both of them.
Joey Ryan and Kenneth Pattengale, The Milk Carton Kids. (Courtesy of the band)
“For me, the striking thing about the first time we played together, even though it was just two acoustic guitars and two voices singing, was that it felt complete,” Ryan said in an interview with CBS This Morning, Saturday Sessions. Pattengale agreed: “Physically, the way that our voices blended in the air happened in a way where I had just never had that experience with another person.”
This powerful connection has led to three GRAMMY Award nominations for the duo: Best Folk Album in 2013 (The Ash & Clay), Best American Roots Performance in 2015 (The City of Our Lady), and Best Engineered Album, Non-Classical, in 2018 (All the Things That I Did and All the Things That I Didn’t Do).
A few past achievements (among many) since Ryan and Pattengale began touring and performing include: performing on National Public Radio’s Mountain Stage, Daytrotter; touring with Old Crow Medicine Show and The Lumineers; having three unreleased tracks featured in Gus Van Sant’s film “Promised Land”, starring Matt Damon and John Krasinski; several TV and Radio performances; praise from Rolling Stone for the duo’s album All the Things That I Did and All the Things That I Didn’t Do, with writer Luke Levenson noting the bandmates’ life changes as significant influences in its sound.
St. Cecilia’s pandemic policy
SCMC currently requires proof of fully vaccinated status, or a negative COVID test taken within 48 hours, to attend a concert at the SCMC venue. Attendees need to bring photo ID and proof of vaccination, or a negative test, the night of a concert. All audience members are required to wear a mask while in the building.
If you have tickets to an upcoming performance and are unwilling or unable to abide by this policy, please contact the SCMC box office for a refund at kelly@scmc-online.org a minimum of 48 hours prior to the concert date.
St. Cecilia Music Center’s Acoustic Café Series continues Nov. 19 with Leo Kottke, a legendary guitarist and always a Grand Rapids favorite for his music and his often humorous storytelling.
Kottke has been awarded two Grammy nominations, a Doctorate in Music Performance by the Peck School of Music at the U of Wisconsin, and — we are told — a “Certificate of Significant Achievement in Not Playing the Trombone from the U. of Texas at Brownsville with Texas Southmost College.”
Kottke, who has been described by Rolling Stone Magazine as “so good that he didn’t need a band” will entertain the West Michigan audience with his amazing six and twelve-string guitar picking genius. Kottke who has more than 42 years of touring under his belt, nearly 30 albums to his name and an astonishing array of material to choose from, will entertain the audience with his instrumental genius and engaging sense of humor.
Tickets for Leo Kottke are available at scmc-online.org or by calling 616-459-2224.
“Leo Kottke has a large fan base in West Michigan and it’s always a pleasure to bring him to St. Cecilia Music Center,” Cathy Holbrook, St. Cecilia executive &artistic director, said in supplied material. “Leo not only performs with genius guitar-picking precision on his 6-and-12-string guitars, he’s also a great storyteller recalling many humorous experiences.”
Remaining on the St. Cecilia folk music series are Milk Carton Kids on Dec. 2; Watkins Family Hour on Dec.16; May Erlewine on Feb. 17, 2022; Shawn Colvin on May 12; and Judy Collins on May 18.
Special pandemic policy
SCMC currently requires proof of fully vaccinated status, or a negative COVID test taken within 48 hours, to attend a concert at the SCMC venue. Attendees need to bring photo ID and proof of vaccination, or a negative test, the night of a concert.
In areas with substantial and high transmission, the CDC recommends that everyone (including fully vaccinated individuals) wear a mask in public indoor settings to help prevent the spread of COVID-19, especially the Delta variant, and to protect others. To that end, SCMC is requiring that all attendees wear a mask while in the building. They will continue to monitor the COVID environment and may change policies at any time if necessary.
If you have tickets to an upcoming performance and are unwilling or unable to abide by this policy, please contact the SCMC box office for a refund at kelly@scmc-online.org a minimum of 48 hours prior to the concert date.
For more information on all shows at St. Cecilia, visit SCMC-online.org.
The Chamber Music Society of Lincoln Center’s artistic directors cellist David Finckel (right) and pianist Wu Han, as well as violinist Arnaud Sussmann and violist Paul Neubauer, will be on stage at the St. Cecilia Music Center. (Supplied)
As if it were not enough of an attraction to have the Chamber Music Society of Lincoln Center’s musicians return to St. Cecilia Music Center as the center begins its chamber music series mid-November, inbound from New York to the Royce Auditorium stage is chamber music’s power couple.
In the first of three 2021-22 concerts during their 10th anniversary of partnership with St. Cecilia, CMS of Lincoln Center’s artistic directors cellist David Finckel and pianist Wu Han, as well as violinist Arnaud Sussmann and violist Paul Neubauer, will present a program titled “From Prague to Vienna” on Thursday, Nov. 18.
The program includes selections from the works of Brahms, Dvořák, and Suk. Future programs in the series include “Romantic Perspectives” on Jan. 27, 2022; and “The Jazz Effect” on March 31.
Tickets are available and can be purchased online at scmc-online.org or by calling St. Cecilia at 616-459-2224.
The last time CMS performed for a live audience at St. Cecilia was early 2020, and Cathy Holbrook, SCMC executive & artistic director, could not be happier — for the performers, the music center, and its audience.
“We are thrilled and thankful to be celebrating our 10th Anniversary with the Chamber Music Society of Lincoln Center,” Holbrook said in supplied material. “We are also thrilled to welcome back our loyal supporters and music lovers in person to experience this exquisite evening with these outstanding musicians.”
As for the “outstanding musicians” — an understatement , perhaps — pianist Wu Han, recipient of Musical America’s Musician of the Year Award, the highest honor bestowed by the organization, enjoys a multi-faceted musical life that encompasses performing, recording, and artistic direction at across the nation. Married to cellist Finckel since 1985, Wu Han divides her time between concert touring and residences in New York City and Westchester County.
Finckel, in addition to his work with CMS, cellist of the Emerson String Quartet for 34 seasons, and has performed and recorded chamber music that includes virtually the complete string quartets of Mozart, Beethoven, Schubert, Schumann, Mendelssohn, Dvorák, Brahms, Bartók, and Shostakovich. He teaches cello and chamber music at both the Juilliard School and Stony Brook University.
Violinist Sussmann is the winner of a 2009 Avery Fisher Career Grant, and has distinguished himself with his unique sound, bravura, and profound musicianship. Minnesota’s Pioneer Press writes, “Sussmann has an old-school sound reminiscent of what you’ll hear on vintage recordings by Jascha Heifetz or Fritz Kreisler, a rare combination of sweet and smooth that can hypnotize a listener.”
Violist Neubauer has gained widespread praise, including the New York Times calling him “a master musician.” In 2018, he made his Chicago Symphony subscription debut with conductor Riccardo Muti and his Mariinsky Orchestra debut with conductor Valery Gergiev. He, too, is on the faculty of The Juilliard School, and Mannes College as well as a visiting professor at DePaul University.
Special pandemic policy
SCMC currently requires proof of fully vaccinated status, or a negative COVID test taken within 48 hours, to attend a concert at the SCMC venue. Attendees need to bring photo ID and proof of vaccination, or a negative test, the night of a concert.
In areas with substantial and high transmission, the CDC recommends that everyone (including fully vaccinated individuals) wear a mask in public indoor settings to help prevent the spread of COVID-19, especially the Delta variant, and to protect others. To that end, SCMC is requiring that all attendees wear a mask while in the building. They will continue to monitor the COVID environment and may change policies at any time if necessary.
If you have tickets to an upcoming performance and are unwilling or unable to abide by this policy, please contact the SCMC box office for a refund at kelly@scmc-online.org a minimum of 48 hours prior to the concert date.
For more information on all shows at St. Cecilia, visit SCMC-online.org.
If you know Rodney Crowell, who will be coming to St. Cecilia Music Center’s Royce Auditorium Nov. 12, you know how great a singer/songwriter he is. If you don’t, you have undoubtedly heard people that you do recognize sing his songs.
Crowell has won numerous awards, including two GRAMMYs and six Americana Music Association Awards as well as their Lifetime Achievement for Songwriter award. This last accolade resonates deeply with a man who has stacked up 15 number one hits including six of his own, and dozens of other chart-topping hits for an impressively diverse array of artists including Emmylou Harris, Johnny Cash, Waylon Jennings, Keith Urban, Bob Seger, Etta James, and the Grateful Dead.
Some of Crowell’s written classics include “Bull Rider,” performed by Johnny Cash in 1979, and “She’s Crazy for Leavin’,” co-written with Guy Clark and performed by Guy Clark in 1981. More recently, Tim McGraw performed “Please Remember Me,” written by Crowell and Will Jennings.
Often described as Nashville royalty, Crowell will be of the St. Cecilia’s Acoustic Café Series with a live performance beginning at 7:30 p.m. Tickets are available at scmc-online.org or by calling 616-459-2224.
Crowell does not dwell in the past, however, and he has an impressive list of his own recordings.
With more than 40 years of American roots music under his belt, Crowell has 18 albums to his name, with his most recent album, Rodney Crowell: Triage, released in June of this year.
Rodney Crowell in concert. (Supplied)
“This new collection of songs was written during the great political, climate and economic upheaval that has marked recent years,” it states on Crowell’s website in reference to the new album. “The noise of that chaos encouraged the songwriter to go inside for solace and answers. The result is this series of songs that contend with these themes but approach them from a place of healing love and solution. That they are being released while we find ourselves walking through a global pandemic, is a gift of perfect timing.”
On song is particularly personal to Crowell, and yet “expansive enough for everyone to relate” — “Transient Global Amnesia Blues” — as he explains on his website.
“One morning after a long walk, I asked my wife, Claudia, the same question nine times before she loaded me into the car and sped off to the hospital. The next thing I remember is being shoved into an MRI machine. Transient Global Amnesia, a benign form of amnesia that in ninety-eight percent of cases never returns, was the diagnosis — an overnight stay in the hospital the prescribed treatment.
“The next morning my daughter texted a photograph of a sunflower growing on a piece of driftwood on the Thames River. I had most of the song written before leaving the hospital at noon. Four days later I had a finished recording.”
After the Rodney Crowell concert St. Cecilia Music Center’s Acoustic Café Series continues through the fall, winter and into spring 2022. This fall, Leo Kottke is scheduled for Friday, Nov. 19; the Milk Carton Kids on Thursday, Dec. 2; and Watkins Family Hour on Thursday, Dec. 16.
“It’s so exciting to have traveling artists and live audiences back in the building,” Cathy Holbrook, St. Cecilia Music Center executive & artistic director, said in supplied material.
Special pandemic policy
SCMC currently requires proof of fully vaccinated status, or a negative COVID test taken within 48 hours, to attend a concert at the SCMC venue. Attendees need to bring photo ID and proof of vaccination, or a negative test, the night of a concert.
In areas with substantial and high transmission, the CDC recommends that everyone (including fully vaccinated individuals) wear a mask in public indoor settings to help prevent the spread of COVID-19, especially the Delta variant, and to protect others. To that end, SCMC is requiring that all attendees wear a mask while in the building. They will continue to monitor the COVID environment and may change policies at any time if necessary.
If you have tickets to an upcoming performance and are unwilling or unable to abide by this policy, please contact the SCMC box office for a refund at kelly@scmc-online.org a minimum of 48 hours prior to the concert date.
For more information on all shows at St. Cecilia, visit SCMC-online.org.
Call it what you will — Folk, Americana, blue grass or new grass — mandolin master Sam Bush has played ‘em all and played with ‘em all.
And Bush will bring his new band to Grand Rapids Oct. 6 as St. Cecilia Music Center kicks off its 2021-22 season of return-to-live performances by folk, jazz and chamber music artists.
Mandolin virtuoso Bush will usher in a new season of the Acoustic Café Folk Series, with the concert starting at 7:30 p.m., after a drought of live concerts with a live audience during a 19-month closure caused by the COVID-19 pandemic.
Tickets for Sam Bush are available at scmc-online.org or by calling 616-459-2224.
Sam Bush.(Courtesy of the artist)
Sam Bush has released seven albums over the past two decades, but his fame is rightly grounded in his live performances with the “who’s who” of Americana and bluegrass. Punch Brothers, Steep Canyon Rangers, and Greensky Bluegrass are just a few present-day bluegrass vanguards among so many musicians he’s influenced.
In 2009, the Americana Music Association awarded him the Lifetime Achievement Award for Instrumentalist.
“With this band I have now, I am free to try anything,” Bush said in supplied material. “Looking back at the last 50 years of playing “new grass”, with the elements of jazz improvisation and rock-n-roll, jamming, playing with New Grass Revival, Leon, and Emmylou; it’s a culmination of all of that. … I can unapologetically stand onstage and feel I’m representing those songs well.”
St. Cecilia’s deep, impressive folk series lineup
After the Sam Bush concert Wednesday, Oct. 6, the St. Cecilia Muisc Center’s Acoustic Café Folk Series just does not stop through the fall, winter and into spring 2022.
This fall, Rodney Crowell is scheduled for Friday, Nov. 12; Leo Kottke on Friday, Nov. 19; the Milk Carton Kids on Thursday, Dec. 2; and Watkins Family Hour on Thursday, Dec. 16.
“During this coming season we will be featuring most of the artists who were scheduled to appear last season and had to be sidelined due to COVID-19,” Cathy Holbrook, St. Cecilia executive and artistic director, said in supplied material. “These great artists are looking forward to getting back out on tour to perform in front of live audiences and to bring music back to concert stages in the U.S. and worldwide. … (And) we so missed seeing our loyal supporters and music lovers in person.”
Things really get cookin’ in the Acoustic Café in 2022 as well, starting with local fave May Erlewine on Thursday, Feb. 17 — if you didn’t catch Erlewine’s late 2019 socially/politically charged release “Second Sight”, which was unjustly lost in the shuffle of the pandemic, you missed one of the best local releases in years.
Following Erlewine, Shawn Colvin will make a much-delayed return on Thursday, May 12; followed by the incomparable Judy Collins on Wednesday, May 18.
Special note: as of this day/time, SCMC will require proof of fully vaccinated status, or a negative COVID test taken within 48 hours, to attend a concert at the SCMC venue. Attendees need to bring photo ID and proof of vaccination, or a negative test, the night of a concert.
Also, given the current pandemic status, SCMC also “highly recommends” that all attendees wear a mask while in the building.
“We will continue to monitor the COVID environment and may change policies at any time if necessary,” according to a SCMC statement. “Please note that individual artists may issue mandated mask requirements and we will honor their request.”
All ticket holders will be notified if mandatory mask requirements are in effect for a particular show by an artist. If you a have tickets to an upcoming performance and are unwilling or unable to abide by this policy, please contact the SCMC box office for a refund at kelly@scmc-online.org a minimum of 48 hours prior to the concert date.
For complete information on all shows at St. Cecilia, visit SCMC-online.org.
The three-night WinterFest Jazz Festival will feature Christian McBride and plenty of his “friends”, including on Feb. 25 special guest jazz singer Cyrille Aimée will be featured. (Supplied)
“RoundAgain” is the title of a 2020 studio album by a quartet consisting of modern jazz powerhouses Joshua Redman on saxophone, Brad Mehldau on piano, Christian McBride on bass, and Brian Blade on drums.
The album was released without the usual touring support July 2020 after being recorded in New York City, in September 2019 — just before the music world’s abrupt touring shutdown as the COVID-19 pandemic hit us all.
St. Cecilia Music Center, as part of its 2021-22 concert season filled with “hope of bringing audiences back to Royce Auditorium” after its own shutdown, has its own plans to bring touring jazz “round again” — with Redman and McBride leading the effort as both are scheduled to make appearances in 2022, including McBride hosting the delayed WinterFest Music Festival in February.
“We are thrilled and thankful to begin again in 2021–22 with live concerts featuring most of the artists who were scheduled to appear this past season and had to be sidelined due to the COVID-19 pandemic,” Cathy Holbrook, St. Cecilia executive and artistic director said in supplied material at the time of the season announcement. “These great artists are looking forward to getting back out on tour to perform in front of live audiences and to bring music back to concert stages in the U.S. and worldwide.”
And local jazz fans can’t wait for their return as well.
Joshua Redman Quartet (Supplied)
St. Cecilia’s jazz offerings will include WinterFest, an event featuring 7-time Grammy-winning jazz bassist McBride “with some of his most talented musical collaborators” for a three-evening festival Feb. 24 -26.
The St. Cecilia Spectacular Jazz Series itself will include saxophonist Redman on Jan. 20, Grammy and Tony award-winning jazz singer Dee Dee Bridgewater together with pianist Bill Charlap on March 10, and acclaimed trombonist, composer and producer Delfeayo Marsalis with his Uptown Jazz Orchestra on April 14.
“It was important to us to bring the artists we had booked this past season for the upcoming 2021-22 season … Recreating that amazing line-up gives us hope for the future.” Holbrook said. “We are also thrilled to announce that our new WinterFest Jazz Festival was able to be rescheduled for the same week” just one year later.
Jazz season opens in January, but tickets available now
Joshua Redman on Jan. 20. Redman, a ceaselessly innovative saxophonist, and his band “evoke a sound that is both challenging and provocative to hard-swinging, melodic, and soulful – music with a joyous and celebratory spirit,” according to supplied material. Redmond’s latest album is “Come What May” was released in Spring 2019 — at which tome JazzTimes said of Redman, he is “unparalleled among horn players today.”
Dee Dee Bridgewater (Supplied)
Dee Dee Bridgewater and Bill Charlap on March 10. Two Grammy winners will share the stage as Grammy and Tony Award-winning jazz vocalist Bridgewater and world- renowned pianist Bill Charlap pay a visit. Bridgewater, over the course of a multifaceted career spanning four decades, “has ascended to the upper echelon of vocalists, putting her unique spin on standards, as well as taking intrepid leaps of faith in re-envisioning jazz classics,” according to supplied material. Charlap has performed and recorded with many leading artists of our time, ranging from jazz masters Phil Woods and Wynton Marsalis to singers Tony Bennett and Barbra Streisand. Since 1997, he has led the Bill Charlap Trio, now recognized as one of the leading groups in jazz.
Delfeayo Marsalis on April 14. Marsalis — of the deep and deeply-talented Marsalis musical family — will lead his Uptown Jazz Orchestra in a performance of big band favorites. Over the course of his music career, acclaimed trombonist, composer and producer Marsalis has been praised for his “technical excellence, inventive mind and frequent touches of humor.” He has also been called one of “the best, most imaginative and musical of the trombonists of his generation.” Marsalis, an NEA Jazz Master, has shared the bandstand with jazz legends Art Blakey, Max Roach and Elvin Jones, as well as pop icons Fats Domino, Ray Charles and George Clinton.
St. Cecilia WinterFest Jazz Festival 2022
Acclaimed Grammy–winning jazz bassist McBride will bring plenty of his “friends” to town for a three-day festival: Feb. 24 will feature McBride and Edgar Meyer for a double “double bass” extravaganza; Feb. 25 will be a traditional jazz show showcasing McBride’s celebrated jazz career with his trio and special guest jazz singer Cyrille Aimée; Feb. 26 will be an evening with Christian McBride’s quintet, Inside Straight, for “an unforgettable night of energetic and inspiring jazz.”
Christian McBride, no stranger to St. Cecilia Music Center, will return in a big way in 2021 (Supplied)
McBride, deservedly, has been called a “force of nature, fusing the fire and fury of a virtuoso with the depth and grounding of a seasoned journeyman.” With a career now into its third decade, the Philadelphia native has become one of the most requested, most recorded, and most respected figures in the music world today.
His range and recording span the spectrum of music: from jazz (McCoy Tyner, Roy Haynes, Chick Corea, Herbie Hancock, Pat Metheny) to R&B (Isaac Hayes, Chaka Khan, Natalie Cole, and the one and only Godfather of Soul himself, James Brown) to pop/rock (Sting, Paul McCartney, Carly Simon) to hip-hop/neo-soul (The Roots, Queen Latifah) to classical (Kathleen Battle, Edgar Meyer, Shanghai Quartet).
Meyer is in demand as both a performer and a composer. The New Yorker called him “…the most remarkable virtuoso in the relatively un-chronicled history of his instrument”, Meyer’s unparalleled technique and musicianship in combination with his gift for composition have brought him to the forefront, where he is appreciated by a vast, varied audience.
Grammy-nominated vocalist Aimée ventured from singing on street corners in Europe to dazzling audiences at the world’s most prestigious jazz festivals; from sneaking out to sing in gypsy encampments in her native France to acting on Broadway; from braving the notoriously tough audiences at New York’s Apollo Theatre to being called a “rising star in the galaxy of jazz singers” by The New York Times.
Inside Straight is Christian McBride’s quintet formed in 2009. “Kind of Brown,” the quintet’s debut studio album, was released in 2009 when Will Lyman of PopMatters wrote “This music is unselfconsciously traditional: it’s fun; it swings…it’s not experimental, but it gives superb voice to several brilliant players and one new discovery. In 2013, the quintet released “People Music”, which one reviewer said “The new album finds the quintet in hard-swing mode, delivering what they call “more road-tested, ‘lived-in’ Inside Straight” in an accessible way, and one that makes the audience part of the experience.”
Tickets and COVID pandemic details
Season subscription and single concert tickets to the 2022 SCMC WinterFest Jazz Festival and Spectacular Jazz Series are available online at scmc-online.org or by calling 616-459-2224.
At this date, St. Cecilia states on its website that it “will require proof of fully-vaccinated status, or a negative COVID test taken within 48 hours, to attend a concert at our venue…. SCMC is also highly recommending that all attendees wear a mask while in the building. Attendees will need to bring ID and proof of vaccination the night of a concert. We will continue to monitor the COVID environment and may change policies at any time if necessary. … All ticket holders will be notified if mandatory mask requirements are in effect for a particular show by an artist.”
If SCMC is able to offer post-concert CD-signing receptions, all ticket-holders may be able to meet some of the artists and obtain signed CDs of their releases. Further information will be announced closer to the start of the season on whether COVID restrictions will allow SCMC to hold receptions.
SCMC WinterFest Jazz Festival individual concerts include Christian McBride and Edgar Meyer on Thursday, Feb. 24, with single tickets at $50 and $55; Christian McBride Trio and Cyrille Aimee on Friday, Feb. 25, with single tickets at $40 and $45; and Christian McBride & Inside Straight on Saturday, Feb. 26, with single tickets at $40 and $45.
If you were thinking about getting tickets to see St. Cecilia Music Center’s first live folk concert in more than 18 months, Grammy award winning singer/songwriter Marc Cohn’s twice rescheduled visit on Aug. 21, the venue has a deal for you.
To mark the first live show since March 2020, St. Cecilia announced this week that tickets to Cohn’s performance were available with a “buy one, get one free” offer. The deal is only good through Friday, July 30, however.
Marc Cohn concert tickets are $40 and $45 and can be purchased by calling St. Cecilia Music Center at 616-459-2224 or visiting the box office at 24 Ransom Ave. NE. Tickets can also be purchased online at scmc-online.org.
Since Cohn was last at St. Cecilia, in Spring 2017, he has spent time on the road with legendary Michael McDonald, worked closely with David Crosby and other American music greats including soul survivor William Bell, who won his first Grammy at age 78 with Marc’s help in creating Bell’s celebrated album, “This is Where I Live”.
In August 2019, just months before the pandemic shutdown and his originally scheduled visit to St. Cecilia, Cohn released a soul/gospel/pop album “Work to Do”, along with Grammy Award winners Blind Boys of Alabama. The album’s collection “combined Cohn’s unique vocal and songwriting talents with the sanctified genius of these veteran gospel stars,” according to supplied material.
Cohn originally rose to musical fame when he won the Grammy for his soulful ballad “Walking in Memphis,” and since that time he has solidified his place as one of this generation’s “most compelling singer-songwriters, combining the precision of a brilliant tunesmith with the passion of a great soul man,” according to supplied material.
No less of a singer/songwriter than Bonnie Raitt reportedly said, “Marc is one of the most soulful, talented artists I know. I love his songs, he’s an incredible singer, and I marvel at his ability to mesmerize every audience he plays for.”
With the much-anticipated Christian McBride’s jazzy WinterFest Music Festival back on the schedule, St. Cecilia Music Center announced today an initial 2021-22 concert schedule — beginning with the Sam Bush Band bringing their folk-rock sounds to town in October — as the music center “fully intends to bring live-audience concerts back to Royce Auditorium.”
Christian McBride (Supplied/SCMC)
Live in-person concerts have been suspended since March 2020 due to COVID-19 restrictions but initial plans have St. Cecilia featuring more than a dozen evenings of performances by jazz, folk and chamber music artists in what will be the music center’s 138th season.
But St. Cecilia executive and artistic director Cathy Holbrook said she is not only looking for live acts on the stage but live people in the audience.
“We are thrilled and thankful to begin again in 2021-2022 with live concerts featuring most of the artists who were scheduled to appear this past season and had to be sidelined due to the COVID-19 pandemic,” Holbrook said in supplied material. “We so missed seeing our loyal supporters and music lovers in person and we’re looking forward to hosting a year of celebration with live music again.”
The St. Cecilia folk series kicks off the season, but chamber and jazz will not be far behind.
The Acoustic Café Folk Series will feature six concerts including the Sam Bush Band on Oct. 6, Rodney Crowell on Nov. 12, Leo Kottke on Nov. 19, the Milk Carton Kids on Dec. 2, 2021 and Watkins Family Hour on December 16. In the new year, singer-songwriter Shawn Colvin will perform in the spring on May 12, 2022 — and more Acoustic Cafe Folk concerts may be announced later.
Marc Cohn (Supplied/SCMC)
However, one summer 2021 Acoustic Cafe Folk Series concert is currently planned as a stand-alone concert and will feature Marc Cohn appearing on Aug. 21 — with tickets currently available.
SCMC and The Chamber Music Society of Lincoln Center will celebrate its 10th anniversary season of partnership CMS players will perform three concerts: “From Prague to Vienna” on Nov. 18 (in a program planned for April 2020 but cancelled due to COVID-19) with CMS co-artistic directors David Finckel and Wu Han on stage. The program also featured two 2022 concerts, “Romantic Perspectives” on Jan. 27, and “The Jazz Effect” on March 31.
The jazz series’ headline event will be WinterFest, featuring seven-time Grammy-winning jazz bassist McBride “with some of his most talented musical collaborators for a three-evening festival in Royce Auditorium,” Feb. 24 -26, 2022.
Other artists scheduled for 2022 as part of the jazz series will include saxophonist Joshua Redman on Jan. 20, Grammy and Tony Award-winning jazz singer Dee Dee Bridgewater together with phenomenal jazz pianist Bill Charlap on March 10, and acclaimed trombonist, composer and producer Delfeayo Marsalis with his Uptown Jazz Orchestra on April 14.
“These great artists are looking forward to getting back out on tour to perform in front of live audiences and to bring music back to concert stages in the U.S. and worldwide,” Holbrook said. “We are looking forward to this new season, especially in light of the inability to host live audiences within our beautiful hall last season.”
Subscription tickets for the 2021-22 series are now on sale, with individual concert tickets to go on sale June 1. For more information visit scmc-online.org.
Singer/songwriter Josh Rose, who once prowled the football sidelines as a coach, is a person who found music to be his life’s playbook. (Supplied/SCMC)
St. Cecilia Music Center, like most live music venues in Wet Michigan, are looking toward the fall of this year with hopeful ears open for a return to filled seats for its chamber, jazz and acoustic folk series. But in the meantime, the center is offering three more virtual concerts in April — two of them “live” from the Royce Auditorium stage.
The first of the three concerts will be this week, Thursday, April 8, starting at 7 p.m., when Jen Sygit and Josh Rose will perform from the Royce Auditorium stage in a performance streaming free of charge on St. Cecilia’s Facebook and YouTube channels, and accessed through scmc-online.org.
Also on the free-streaming concert schedule are Delfeayo Marsalis and the Uptown Jazz Orchestra, on Thursday, April 15, as well as jazz-plus pianist Rufus Ferguson, Wednesday, April 21, with the Ferguson concert again ‘Live” from the Royce Auditorium stage. Both concerts will begin streaming at 7 p.m.
For a complete list of all virtual concerts offered by St. Cecilia for home viewing, see scmc-online.org/virtual/.
Jen Sygit and Josh Rose
Well-known local musicians Sygit and Rose will share the stage, swapping stories and songs “for an hour of fantastic folk,” according to supplied material.
Sometimes traditional, sometimes contemporary, when it comes to her “folk”, singer/songwriter Jen Sygit has released four solo albums with her latest, “It’s About Time”. (Supplied/SCMC)
Sometimes traditional, sometimes contemporary, when it comes to her “folk”, singer/songwriter Sygit has released four solo albums. Her latest, “It’s About Time”, was produced by long-time friend and collaborator Dominic John Davis (bassist to Jack White and Buddy Miller) and features guest performances from Luther Dickinson, Colin Linden, The McCrary Sisters and Rachael Davis.
The album’s title track won “Best Americana Song” at the 2019 Independent Music Awards in New York City and her music video for the tune “Love is Wild” won the “Vox Pop Fan Favorite- Best Director of a Short Form Music Video” the same year.
In addition to her solo career, Sygit co-fronts the roots rock Lincoln County Process with Ann Arbor-based songwriter Sam Corbin, is a founding member of the all-female string band Stella! and is also a veteran session vocalist appearing on over 50 albums nationwide.
Singer/songwriter Rose, who once prowled the football sidelines as a coach, is a person who found music to be his life’s playbook. With his guitar in hand, he has played shows throughout the Midwest for 16 years and has recorded three studio albums — with another on the way, according to supplied material.
“Rose’s wistful songs allow all curious listeners to extract what they can from the cloud, to open the floodgates, and to share in the beauty of music, earth, humanity and air,” we are told.
Delfeayo Marsalis and his Uptown Jazz Orchestra
Delfeayo Marsalis and his Uptown Jazz Orchestra were scheduled to appear as part of the St. Cecilia Jazz Series in the Royce Auditorium on April 15, but were not able to be in-person this year — however, St. Cecilia is working on a reschedule date for the 2021-22 season!
However, local audiences can enjoy the music virtually with a recorded show — on April 15.
Over the course of his prolific music career, acclaimed trombonist, composer and producer Delfeayo Marsalis has been praised for his “technical excellence, inventive mind and frequent touches of humor,” and heralded as hailed as one of “the best, most imaginative and musical of the trombonists of his generation,” according to supplied material.
The latest Uptown Jazz Orchestra release, “Jazz Party”, pays tribute to the soulful and funky sounds of celebration in music, with a jazz sensibility. But the band’s repertoire consists of material that spans the 100+ years of American music with a contemporary flare, with influences from Louis Armstrong to Count Basie, James Brown to J Cole.
Rufus Ferguson
Pianist Rufus Ferguson is into jazz and so much more. He is an educator who earned degrees from Western Michigan University under the mentorship of Jeremy Siskind and Matthew Fries. And he has shared the stage with artists such as Dwight Adams, Bob Hurst, Rodney Whitaker, Ali Jackson, The Temptations and many more.
Rufus Ferguson (Supplied/SCMC)
Rufus is equally well-versed in multiple genres of music which has made him a fixture in the regional jazz, R&B and gospel music scenes. His jazz arrangements have most recently been presented by his 9-piece ensemble at the 2018 Gilmore Keyboard Festival and his orchestral arrangements have been performed by the Kalamazoo Symphony Orchestra.
Rufus has performed at several festivals such as the Summer Solstice Jazz Festival in Lansing, Michigan, Notre Dame Jazz Festival, Elmhurst Jazz Festival, Flint Jazz Festival and the Jazz Education Network (JEN) Conference in Louisville, KY.
St. Cecilia Music Center’s Michigan Folk and Blues Virtual Series 2021, a virtual extension of the Acoustic Café Folk Series, returns this week with the King Biscuit Trio performing on the Royce Auditorium stage and available Thursday, Feb. 18, at 7 p.m.
The performance is streaming free of charge on St. Cecilia’s Facebook and YouTube channels, and accessed through scmc-online.org.
King Biscuit Trio, according to supplied material, is a newly formed blues-based three-piece band “rooted in classic soul and great old rock n’ roll” that features a two-guitar, one-harmonica, tri-vocal approach to a “mixed bag of covers and original material.”
King Biscuit Trio is:
Chris Collins on lead vocals and guitar. He is also the lead singer and guitarist of the Thirsty Perch Blues Band, a West Michigan blues/rock staple for more than 10 years. For the past three years, Collins has been writing, recording, and performing with the Dr. Wu band of Fort Worth, Texas, according to supplied material. Dr. Wu features Buddy Washington, who spent 15 years with the great John Mayhall and the Blues Breakers.
Andy Ogrodzinski on lead guitar and backing vocals. He also plays guitar in the Thirsty Perch Blues Band, and plays gigs as a current member of the blues/rock/funk/reggae band The Kinsey Report, led by Donald Kinsey, well known for his years spent playing with Albert King, Peter Tosh, and Bob Marley.
Craig “Griff” Griffith on harmonica and vocals. He plays harmonica with The Verve Pipe and has been performing with the group for about 20 years. Griff was also the lead singer and harmonica player for the band Botfly throughout the 1990’s and early 2000’s.
The King Biscuit Trio. (Supplied/SCMC)
Folk and Blue series continues
The Michigan Folk and Blues Virtual Series 2021 continues the partnership between St. Cecilia and the Acoustic Café radio show and its host Rob Reinhart, and will stretch into April.
The other free virtual concerts in the series include Rachel Davis and Dominic John Davis on March 25 (from their current home in Nashville), and Jen Sygit and Josh Rose on April 8 and back from the Royce Auditorium stage. The Kat Edmonson virtual concert on March 4 is also a free concert, also available on St. Cecilia’s Facebook and YouTube channel. But as an added attraction, Edmonson will be doing an interview with Reinhart as part of the Acoustic Café radio show.
For a complete list of all virtual concerts offered by St. Cecilia for home viewing, see scmc-online.org/virtual/.
St. Cecilia Music Center has announced its 2021 recipient of the now annual Helen DeVos Legacy Award, with Karen Henry Stokes the third person so honored. However, the annual gala event to honor Stokes, originally scheduled for March, has been postponed until March 5, 2022, due to the pandemic.
“We are thrilled to honor Karen Henry Stokes with the next Helen DeVos Legacy Award, but sad that we have to wait to do so until 2022,” Cathy Holbrook, executive and artistic director of St. Cecilia Music Center, said in an email announcement. “We felt it was the best option to ensure that people felt safe attending a gala ceremony and dinner event. We wanted as many people to attend and pay tribute to her as possible and March of 2022 felt like the best choice.”
St. Cecilia started the Helen DeVos Legacy Award in 2019 to pay tribute to the late Helen DeVos for her support of and involvement in the arts.
Last year’s recipient, the late Stella Royce, “embodied the same spirit of giving and love of the arts,” according to the announcement. “Karen Henry Stokes is the perfect person to receive the next Helen DeVos Legacy Award as she has demonstrated exemplary service within the arts community and her efforts have helped expand the cultural landscape of West Michigan.”
Stokes has been involved with many arts organizations in the region, as a board member, trustee and committee member, including the Irving S. Gilmore International Keyboard Festival, Grand Rapids Symphony, Opera Grand Rapids, St. Cecilia Music Center, as well as other organizations such as Grand Valley State University, Hospice of Grand Rapids, Gilda’s Club and Hope Network.
Stokes, also a pianist, was a member of the piano faculty of Grand Rapids Baptist College (now Cornerstone) from 1974 to 1981, as well as a member of the piano faculty of Calvin College from 1981 to 1989. She holds performance degrees from the Royal Conservatory of Toronto and the University of Manitoba.
She has lived in Grand Rapids since 1970, was married for 28 years to the late Paul B. Henry and has three grown children and four grandchildren. Additionally, she was married for 20 years to the late James L. Stokes. gaining five more children and eight more grandchildren through that marriage.
“Karen’s true connection to SCMC is our partnership with The Chamber Music Society of Lincoln Center,” according to the announcement. “She is a dedicated subscriber, and when we launched the series in 2012, Karen helped us spread to the word to other classical music lovers in the community.”
St. Cecilia Music Center’s Acoustic Café Folk Series is usually one of the West Michigan winter season’s entertainment musts — if you don’t remember Rosanne Cash’s visit just before the March 2020 pandemic shutdown, you missed out. Whether it is straight folk, Americana or alt-something or another, the series offers something for every acoustic taste.
So, while St. Cecilia’s continues to be empty of live audience, for awhile longer anyway, it is continuing a series of virtual folk and blues concerts to begin 2021 including many West Michigan artists free for the viewing and listening.
Ralston Bowles in concert. (By Jamie Geysbeek/Supplied)
The first of the free concerts will be this week, when Ralston Bowles and Michael Crittenden hit the Royce Auditorium stage Thursday, Jan. 21, for a 7 p.m., performance streaming free of charge on St. Cecilia’s Facebook and YouTube channels, and accessed through scmc-online.org.
The Michigan Folk and Blues Virtual Series 2021, continuing the partnership between St. Cecilia and the Acoustic Café radio show and its host Rob Reinhart, will stretch into April.
The other free virtual concerts include the King Biscuit Trio on Feb. 18; Rachel Davis and Dominic John Davis on March 25 (from their current home in Nashville); and Jen Sygit and Josh Rose on April 8 and back from the Royce Auditorium stage.
When Ralston Bowles and Michael Crittenden take the stage this week, audiences will tune into two of Grand Rapids best known folk musicians as they share the stage (but not at the same time for safety reasons) for a night of great music making and storytelling.
Bowles, often called “the ambassador of West Michigan music,” is an award-winning folk and Americana singer-songwriter who has released several critically acclaimed albums — including “Carwreck Conversations” and “Rally at the Texas Hotel” – and, according to supplied material, has toured the United States and Europe, sharing stages with the likes of Bob Dylan, Shawn Colvin and Arlo Guthrie.
Michael Crittenden. (Supplied/SCMC)
Crittenden is an award-winning producer, songwriter and performer — not to mention founder and frontman for folk-rock’s Troll for Trout. He is not only a producer, player, studio owner and musical collaborator, but has been a key figure in the songwriting contest part of the ArtPrize competition as well as the Mackinac Island Songwriter’s Workshop.
In addition to the free local artist folk series concerts, St. Cecilia will also offer two “ticketed” and one free concerts by national and international artists including Mariza Sings Amália, to be live streamed on Jan. 29 (with tickets costing $40 with a 48-hour viewing window); Judy Collins on Feb. 12 (also $40 with 48-hour window); and Kat Edmonson on March 4 in a free concert also available on St. Cecilia’s Facebook and YouTube channel.
As an added attraction, Edmonson will be doing an interview with Rob Reinhart, host the Acoustic Café radio show.
For a complete list of all virtual concerts offered by St. Cecilia for home viewing, see scmc-online.org/virtual/.
St. Cecilia Music Center’s wide-ranging virtual concert season — which includes chamber music, folk and jazz — also offers an expanded series of Michigan Jazz Pianists’ Series with West Michigan artists playing “live from the stage” free virtual concerts from the music center’s Royce Auditorium.
The first of the just announced concerts will be Thursday, Jan. 14, with Roger MacNaughton featured. The 7 p.m. concert will be available free on St. Cecilia’s Facebook page and on its YouTube channel. All are also available on-demand on the YouTube channel.
Rufus Ferguson (Supplied)
In addition to MacNaughton, other concerts include Robin Connell on March 11, and Rufus Ferguson on April 21, both also at 7 p.m.
From September through December, 2020, St. Cecilia presented five Michigan jazz pianists in this series, including a holiday show with the nationally known jazz pianist Bob James in December.
“St. Cecilia Music Center is committed to our audience in helping to ‘Keep Music Alive’ in West Michigan,” Cathy Holbrook, executive and artistic director of SCMC, said in supplied material. “ While we are unable to gather audiences in person at this time due to COVID-19, we remain committed to bringing our patrons great music into the safety of their own home. … We truly appreciate everyone’s support as we strive to keep these wonderful events available for all to experience.”
MacNaughton is a composer, pianist, and musical artist, creator of a line of instrumental CDs. The most recent of his 12 CD releases is named “Mackinac, I’ve Come Home” following Roger’s two-week stay on Mackinac Island in 2019 as an artist-in-residence sponsored by Mackinac State Historic Parks.
MacNaughton, who lives in Lowell, is a member of several bands and musical groups, including Jon Montgomery & RMQ, MacNaughton Boulevard, Mac/Mora, Honey Creek String Ensemble, and Soul ACCESS. His compositions have won four ArtPrize awards, three times in the jazz category and once for classical music.
The just announced addition to the virtual concerts focussed on Michigan artists performing live from St. Cecilia include also includes four concerts featuring Michigan folk and blues artists.
The Michigan Folk and Blues Virtual Series will continue St. Cecilia’s Acoustic Café Folk Series partnership with the radio show of the same name and its host Rob Reinhart.
The folk and blues series will include Ralston Bowles and Michael Crittenden on Jan. 21, King Biscuit Trio on Feb. 18, Rachel Davis and Dominic John Davis on March 25 (from their home in Nashville), and Jen Sygit and Josh Rose on April 8.
For the latest schedule and informant on St. Cecilia’s virtual concerts available for home viewing, visit scmc-online.org/virtual/.
St. Cecilia Music Center has announced the 2021 Chamber Music Society of Lincoln Center virtual concerts, with four free-to-the-public nights of chamber music beginning in January and running through April.
Kicking off the concerts is maybe the most famous program of all chamber music programs, Bach’s The Brandenburg Concertos, set to premiere Thursday, Jan. 7, at 7 p.m., on the St. Cecilia website, but, as with all concerts, the concert remains available for viewing for a week after initial air date.
“While we are still unable to gather audiences in person at this time due to COVID-19, SCMC remains committed to bringing our patrons great music into the safety of their own home,” St. Cecilia states in supplied material. “We received enthusiastic and positive feedback on our fall series and are pleased to continue this offering into the new year.”
The Chamber Music Society has thousands of professionally recorded archived performances, according to supplied material, and co-artistic directors David Finckel and Wu Han have “put together wonderful programs that feature an artist on each piece in each program.” A pre-concert artist profile and a post-concert Q&A with the artist, led by Finckel and Wu Han, “make these concert offerings unique and personal.”
The concert programs and dates
The Brandenburg Concertos (concerto No.s 1-6) is Thursday, Jan. 7 at 7 p.m., and featuring more than 40 musicians performing one or more of the six pieces.
A program featuring pianist Gloria Chien is Thursday, Feb. 11 at 7 p.m., and will include Field’s Nocturne No. 2 in C minor for Piano, Liszt’s Grand duo concertant sur la romance de ‘Le Marin’ for Violin and Piano, and Mendelssohn’s Quartet in C minor for Piano, Violin, Viola, and Cello, Op. 1.
A program featuring violist Paul Neubauer is Thursday, March 18 at 7 p.m., and will include Schumann’s Märchenerzählungen (Fairy Tales) for Clarinet, Viola, and Piano, Op. 132; Dale’s “Romance” from Suite for Viola and Piano; Turina’s Escena andaluza for Viola, String Quartet, and Piano, Op. 7; Kreisler’s Liebeslied for Three Violins, Viola, and Cello; Shostakovich’s Impromptu for Viola and Piano; and Boulanger’s American Vision for Viola and Piano Trio.
The series will wrap up with a program featuring violinist Ani Kavafian on Thursday, April 1 at 7 p.m., and will included Brahms’ Scherzo, WoO 2, from “F-A-E” Sonata for Violin and Piano; Babajanian’s Trio in F-sharp minor for Piano, Violin, and Cello; and Dvorák’s Trio in F minor for Piano, Violin, and Cello, Op. 65.
Christian McBride, from a 2008 concert, is no stranger to St. Cecilia Music Center. But his planned Winterfest with Christian McBride series will need to await a year. (St. Cecilia Music Center)
Not unexpectedly, St. Cecilia Music Center announced this week the cancellation of its originally scheduled January through March 2021 live concerts. But, continuing to not be silent in this winter of pandemic, the center also announced a series of virtual concerts running January through April.
The initially bad, but ultimately good, news includes jazz star Christian McBride laying down a base line — his much-anticipated “Winterfest with Christian McBride” series, originally scheduled Feb. 25–27, has been cancelled. But added to St. Cecilia’s virtual offerings is Christian McBride & Edgar Meyer — two superior bassists with different backgrounds but speak the same musical language — on Feb. 25, with a $15 per ticket program.
Among the other cancelled live in-person concerts cancelled are Joshua Redmond (Jan. 21), Shawn Colvin (Jan. 22), the Chamber Music Society of Lincoln Center’s “Magical Schubert” presentation (Jan. 28), Leo Kottke (Feb. 18); Kat Edmonson (March 4) and Rodney Crowell (March 18).
“St. Cecilia Music Center is committed to our audience in helping to ‘Keep Music Alive’ in West Michigan,” Cathy Holbrook, St. Cecilia executive and artistic director, said in supplied material. “While we are still unable to gather audiences in person at this time due to COVID-19, we remain committed to bringing our patrons great music into the safety of their own home.”
Other virtual concerts announced this week include three by the Chamber Music Society of Lincoln Center (CMS) — “The Brandenburg Concertos” (Jan. 7), “Mendelson, Liszt & Field” featuring pianist Gloria Chien (Feb. 11), “Schumann, Shostakovich & More” featuring violist Paul Neubauer (March 18), and “CMS Brahms & Dvorák” featuring violinist Ani Kavafian (April 1).
All CMS virtual concerts are free to view on the St. Cecilia website beginning the date they first air and for seven days after.
The SCMC folk series virtual concerts include Mariza Sings Amália (Jan. 29) and Judy Collins (Feb. 12), each with $40 tickets allowing viewing for 48 hours. Kat Edmonson (March 4) will be free to view on St. Cecilia Facebook page and YouTube channel.
For tickets and more about virtual concerts offered by St. Cecilia for home viewing, see scmc-online.org/virtual/.
More about those cancelled concerts
The St. Cecilia announcement notes that “many of these (canceled show) artists who were to appear in person have now been rescheduled for St. Cecilia Music Center’s 2021-2022 Presenting Series” and that the 2012-22 season will be announced in late spring 2021.
All ticket holders for the cancelled concerts will receive individual emails to opt for a full refund, gift cards for future concerts, or making a tax-deductible donation.
For additional questions about cancelled concert tickets, contact Kelly Herremans, St. Cecilia box office manager, at Kelly@scmc-online.org.
About the McBride & Meyer, and Ms. Edmonson
The six-time GRAMMY-winning jazz bassist McBride is so much more than just a “jazz bassist” — with a career now into its third decade, the Philadelphia native has become one of the most requested, most recorded, and most respected figures in the music world today. His work goes from jazz to soul to pop/rock to classical, including working with Kathleen Battle, Shanghai Quartet … and Edgar Meyer.
Meyer is in demand as both a performer and a composer, and has been hailed by The New Yorker as “…the most remarkable virtuoso in the relatively un-chronicled history of his instrument.” One of his most recent compositions is the Double Concerto for Double Bass and Violin, which received its world premiere July 2012 with Joshua Bell at the Tanglewood Music Festival with the Boston Symphony Orchestra. He has also collaborated with Béla Fleck and Zakir Hussain to write a triple concerto for double bass, banjo, and tabla, which was commissioned for the opening of the Schermerhorn Symphony Center in Nashville.
Edmonson, known for her vintage pop and jazz with a Texas touch, began crafting her signature sound while performing in Austin’s local club circuit for years before releasing her debut LP “Take To The Sky” in 2009. She has toured with Lyle Lovett, Chris Isaak, Gary Clark Jr., Shawn Colvin, Willie Nelson, Smokey Robinson, Nick Lowe and more. She recently released “Dreamers Do”, an album that “blends original compositions and reimagined mid-20th century classic Disney songs to tell a story which takes place over the course of one sleepless night.”
The Michigan holiday home of Bob James, pianist and composer of jazz and much more, is always filled with music and filled with family. It will be the same this year, in this age of pandemic and self-seclusion.
But later this month, James will be inviting St. Cecilia Music Center’s virtual concert audience into his house for what St. Cecilia calls a “holiday performance from his Traverse City home including surprise guests” on Thursday, Dec. 17.
The virtual concert is free and available via the internet on a computer or smart television. For more information about the St. Cecilia virtual concerts see scmc-online.org/virtual/.
Bob James’ family will gather again for Christmas In Michigan this year. (Undated photo supplied by Mr. James)
“Since all the members of my family are musicians, the Christmas season always involves lots of music, both live around the fireplace and permeating through the house,” James said recently to WKTV. So, the concert “will be a family affair.”
And what kind of music might be performed at the Dec. 17 concert?
“I tend to prefer the traditional over the novelty,” James said. “I have released two Christmas albums, ‘Christmas Eyes’ with my daughter Hilary, and ‘Snowbound’ with Fourplay. I have performed music from those, and something from each will most likely be on the new set list.”
And, along with many musicians forced to record and perform in isolation these days, James’ Michigan home is no stranger to performance and recording.
Bob James (BobJames.com)
“In recent years I’ve had a home studio where I do most of my composing, and have even produced some final mixes here,” James said. But “my time in this studio has escalated dramatically during this year’s forced isolation.”
A Grammy-award winner, James has long, varied career in music. Discovered by Quincy Jones at the Notre Dame Jazz Festival in 1963, James recorded his first solo album, “Bold Conceptions”, that year. Dozens of albums followed through five decades. His composition, “Angela,” the instrumental theme from the sitcom Taxi, is possibly James’ best known work. But that is only only the beginning.
James set the standard for the smooth jazz sound in the late 1970s. “One On One”, the first in three collaborations with Earl Klugh, was awarded a Grammy in 1980 for Best Pop Instrumental Performance. Also about that time, “Double Vision”, a collaboration with David Sanborn, was another Grammy winner. His long-standing group Fourplay, with Lee Ritenour and Nathan East and later Larry Carlton, has also produced numerous albums.
Make a (private) party night of it
While the concert is free, Martha’s Vineyard concert packages, including a wine and cheese “goodie bag” of treats, can be purchased — and those purchases support St. Cecilia.
The special Martha’s Vineyard concert packages are available by pre-order and will be delivered on the concert date. All proceeds from these purchases benefit SCMC. Priced at $65, each package includes one bottle of wine — a red, white or bubbly — and a block of aged Gouda cheese, nuts, fig spread, crackers, veggie chips and gourmet chocolate. For more information visit here.
Judy Collins, shown in an undated press photo, made her St. Cecilia Music Center debut in early 2018 and will return via a virtual concert from New York in February 2021. (Supplied/SCMC/Judy Collins)
St. Cecilia Music Center has already taken audiences to New York City this virtual concert season with its Chamber Music Society of Lincoln Center series, and this week came the announcement of two streaming concerts presented in collaboration with New York City’s The Town Hall.
Scheduled to be available for St. Cecilia ticketed evenings of music are Portuguese Fado vocalist Mariza in January, 2021, and American folk legend Judy Collins in February, according to a Dec. 2 announcement.
On Jan. 29, 2021, Mariza will be featured in a concert paying tribute to the legendary Fado singer Amália Rodrigues. The concert will be taped in Lisbon, Portugal, as part of The Town Hall series, and will also coincide with the release of Mariza’s new album Mariza sings Amalia.
On Feb. 12, Collins, a folk singing legend familiar to St. Cecilia audiences, will be featured in a virtual concert onstage at The Town Hall in New York City where, according to the announcement, “in 1964 she made her debut that launched her illustrious musical career.” The concert will recreate her 1964 concert at The Town Hall which was her very first solo appearance on one of the great concert stages in New York City.
“We are delighted to feature two outstanding performers in these two concerts aired through The Town Hall in New York City,” Cathy Holbrook, SCMC executive and artistic director, said in supplied material. “We remain committed to keeping music alive in West Michigan with virtual concerts over the next several months until we can host live performances again … We truly appreciate the public’s support as we strive to keep these wonderful events available for all to experience”
St. Cecilia Music Center is one of only five U.S. venues showcasing these concerts, according to the announcement, and “the cost of each ticket reflects the desire to keep the performers’ band, crew and technical support teams employed during this global crisis. A portion of the ticket sales will also help benefit SCMC during this unprecedented time.”
Mariza’s tribute to Amália Rodrigues will highlight the unique, yet echoing relationship of one to the other. The late “Amália”, as she was known, sang her last concert at The Town Hall in New York City in 1994. Now, Mariza has now become the ambassador of Portugal’s Fado music in the 21st century, just as Amália had been in the 20th century.
Mariza. (SCMC)
Mariza has also now recorded an entire album of Amália classics to commemorate her own 20th year of her musical career, as well as celebrate the 100th anniversary of Amália’s birth. The album will be released a few days before the January concert.
Fado music, according to supplied material, is a form of Portuguese singing that is often associated with pubs, cafés, and restaurants. It originated in Portugal around the 1820s, although it is thought to have much earlier origins. Fado is renowned for its expressive and profoundly melancholic character. The singer in Fado music often is accompanied by one or two 12-string guitars, one or two violas, and sometimes a small 8-string bass.
And speaking with singing with guitar …
Judy Collins, often performing with simply an acoustic guitar in her hands, is scheduled to film a show onstage at The Town Hall to be broadcast Feb. 12. For this show, according to supplied material, Collins will recreate her legendary 1964 New York City concert hall debut at The Town Hall.
Judy Collins (SCMC)
“What a time that was 1964,” Collins said in supplied material. “I was very nervous since my record company decided to record this concert and put it out as an album. I had just been to a Bob Dylan concert, heard the Lonesome Death of Hattie Carol, and knew I had to record it.
“Making (the 1964 album) album and concert at The Town Hall … was a relief and joyous event. It feels right to go back to the material and time period now with the knowledge and life lessons learned in 2020.”
The concert that Collins is performing at The Town Hall will be recorded for a new vinyl album.
For more information on St. Cecilia Music Center visit scmc-online.org.
St. Cecilia Music Center’s scheduled virtual concert with Bob James will move from Nov. 4 to Dec. 17, according to an announcement from St. Cecilia. But the concert is now planned as a “holiday performance from his Traverse City home including surprise guests.”
St. Cecilia’s fall 2020 virtual concert series is free and available via the internet on a computer or smart television. For more information about the St. Cecilia virtual concerts see scmc-online.org/virtual/.
In addition to the rescheduled Bob James concert on Dec. 17, there will be a special concert by the Chamber Music Society of Lincoln Center on Dec. 3 featuring Anne-Marie McDermott and other CMS artists.
Martha’s Vineyard concert packages will be available both concerts. The Martha’s Vineyard packages are a wine and cheese “goodie bag” package which can be purchased and supports St. Cecilia.
These special Martha’s Vineyard concert packages are available by pre-order and will be delivered on the concert date. All proceeds from these purchases benefit SCMC. Priced at $65, each package includes one bottle of wine — a red, white or bubbly — and a block of aged Gouda cheese, nuts, fig spread, crackers, veggie chips and gourmet chocolate. For more information visit here.
St. Cecilia Music Center’s Royce Auditorium stage may be quiet now — first due to delayed and cancelled dates, and soon due to it usual summer hiatus — but, boy, when the lights come back on this fall the venue will be supercharged with must-see concerts for every musical taste.
Announcing its “largest concert season in its history,” late last week, St. Cecilia’s 2020-21 season will kick off in September with the rescheduled folk series visit by Marc Cohn, with the first jazz series concert coming in October with songbird Dee Dee Bridgewater together with pianist Bill Charlap, and the first Chamber Music Society of Lincoln Center concert planned for November.
While there is likely something for every fan in the current lineup of 18 shows (the folk series usually grows a little as the season goes on), there are a few highlights, especially the February 2021 inaugural jazz WinterFest featuring Christian McBride and Friends — three nights of music including an undoubtedly hot night of cutting edge jazz on a usually cold winter day when Christian McBride with Inside Straight take the stage Feb. 27.
“Each year our outstanding artist roster grows as the word spreads about the incredible beauty and acoustics of Royce Auditorium,” Cathy Holbrook, St. Cecilia executive director said in supplied material. “We always hear how much artists love our setting, the acoustics in the hall and the ever-so-welcoming audience who they get to see up-close and personal while performing. … This year we are excited to launch a new WinterFest Jazz Festival with Christian McBride and Friends.”
There will be some adjustments as far as ticketing is concerned, St. Cecilia also advises.
“Due to the changing restrictions surrounding COVID-19, we are planning for tickets to be on sale July 1,” Holbrook said in supplied material. “This will allow us to make any further adjustments to this schedule as needed. Our hope is to start concerts in the fall as planned.”
Holbrook also advises that St. Cecilia will scrupulously follow the “new normal” when it comes to safe venue operation and “recommended cleaning and disinfecting protocol.”
And the concert rundown …
As mentioned, the Acoustic Café Folk Series will kick things off with singer-songwriter Marc Cohn in November, and include another rescheduled date with Shawn Colvin in January. Returning artists from past seasons include the Milk Carton Kids in December and Leo Kottke in February, as well as first-time St. Cecilia visits by Sam Bush and then the Watkins Family Hour in November, Kat Edmonson and then Rodney Crowell in March and The Mark O’Connor Band in April.
Rodney Crowell (Supplied/Greg Ross)
To spotlight just one: If you know your Nashville/Austin country music scene, you know Crowell. Not only is he often considered one of he Godfathers of the Americana music scene, but he has sung with and written music for/with the who’s-who of the genre: Willie Nelson, Lyle Lovett, Vince Gill and Lee Ann Womack — just to name drop a few.
The St. Cecilia jazz series — in addition to the Christian McBride-led jazz Winterfest, running Feb. 25-27 and Grammy and Tony Award-winning singer Bridgewater with Charlap on the keys in October — also includes the always-superb saxophonist Joshua Redman, visiting with his quartet in January, and acclaimed trombonist, composer and producer Delfeayo Marsalis, with the Uptown Jazz Orchestra, in April.
Joshua Redman Quartet. (Supplied)
McBride’s run on the Royce stage begins Feb. 25 evening he and fellow bassist Edgar Meyer for a “double Double Bass” extravaganza; the Feb. 26 will be a traditional jazz show showcasing McBride’s celebrated jazz career with his trio and special guest jazz singer Cyrille Aimée; and then McBride’s quintet, Inside Straight, on stage “for an unforgettable night of energetic and inspiring jazz” on Feb. 27.
(A bit of ticketing advice, the Joshua Redman night will likely be just as special a night and just hot a ticket as McBride’s Winterfest.)
And, of course, chamber music fans will get their annual night(s) of bliss as the Chamber Music Society of Lincoln Center will perform three concerts: “Sensational Strings” in November, featuring the music of Dvořák, Beethoven and 20th-century master Erwin Schulhoff; “Magical Schubert” in January, featuring three of Franz Schubert’s most significant chamber music works; and “The Brahms Effect” in April, celebrating the music and influences of composer Johannes Brahms.
For more information on St. Cecilia Music Center’s 2020/2021 season, visit scmc-online.org or calling 616-459-2224.
St. Cecilia Music Center likes to say that “seeing an artist in Royce Auditorium is like having that artist play for you in your living room.” So it seems only appropriate these days that with St. Cecilia quiet and the Royce stage empty, the music center and jazz pianist Emmet Cohen are bringing a livestream concert from his living room to your living room.
St. Cecilia will present one of its 2019-20 season’s Jazz Series artists, Cohen, in a special livestream concert on the music center’s Facebook page Thursday, May 14, from 7:30-8:30 p.m.
Cohen appeared in January with his trio and special guest, legendary saxophonist Benny Golson — and also performed the night prior at St. Cecilia’s Maestro Society Dinner. He has also played at SCMC with Christian McBride and Tip City.
According to supplied material. “Emmet says that he loves the people at St. Cecilia, and wanted to do a concert specifically for our audience.”
St. Cecilia Music Ceners’s final Chamber Music Society of Lincoln Center (CMS) chamber music concert of the 2019-20 season — “From Prague to Vienna”, was set to feature CMS co-artistic directors David Finckel and Wu Han, along with Arnaud Sussman and Paul Neubauer. (CMS)
St. Cecilia Music Center has expressed extreme disappointment that, due to COVID19 restricting, it had to cancel the final Chamber Music Society of Lincoln Center concert on April 30 due to COVID-19 restrictions.
And West Michigan’s chamber music devotees were certainly eagerly anticipating St. Cecilia’s final and sold-out chamber music concert of the 2019-20 season — “From Prague to Vienna”, featuring CMS co-artistic directors David Finckel and Wu Han both on Royce Auditorium stage, along with Arnaud Sussman and Paul Neubauer.
Alas, fans will have to wait until the 2020-21 season to catch the chamber music power couple in a live chamber music concert. But they can still catch the program they were going to perform at St. Cecilia tonight, April 30.
As provided by St. Cecilia this week, there are videos available of the pieces to be performed on the program (some personnel have been changed for some pieces).
And for those who love to dig deeper into the music, St. Cecilia also provided the program page from the SCMC program book, as well as program notes. A lecture on the Brahms Quartet No. 1 in G Minor for Piano, Violin, Viola and Cello is also available here.
With Governor Gretchen Whitmer’s announcement of a ban on activities or events with more than 250, many area venues suspended programs and productions. St. Cecilia Music Center recently added its shows to that list.
The Marc Cohn concert scheduled for March 19 has been rescheduled for Sept. 11. Also rescheduled is the St. Cecilia Music Center’s fundraiser event, Eat. Drink. Be Merry! which has been moved from April 18 to June 6. All current tickets sold to both of these events will be valid for the new date. No refunds will be issued for rescheduled concerts.
The April 16 Jazz Series Clayton Brothers concert has been cancelled. Patrons wishing to receive a refund for this concert, may email the box office manager at kelly@scmc-online.org. In lieu of a refund, patrons can consider donating the value of the ticket back to St. Cecilia, which relies on ticket revenue to sustain its operations. According to officials, the concert changes could greatly affect the organization over the next month.
Rehearsals at St. Cecilia Music Center have been cancelled through April 10 and are scheduled to resume April 13. Also, the final Chamber Music Society of Lincoln Center on April 30 and the Shawn Colvin concert on May 19 are scheduled to take place.
For more information about programs at St. Cecilia, visit scmc-online.org.
Editor’s Note: This concert has been rescheduled for Sept. 11.
By WKTV Staff ken@wktv.org
The last time Grammy award winning singer/songwriter Marc Cohn took to St. Cecilia Music Center stage, in early 2017, he “received a resounding standing ovation after totally captivating the audience with his powerful voice and emotional lyrics,” according to one in the audience.
On March 19, Cohn will return with new music and, of course, his classics including the timeless “Walking in Memphis”, and tickets remain available.
“Since he was last here in Spring 2017, Marc has spent time on the road with legendary Michael McDonald, worked closely with David Crosby and other American music greats including soul survivor William Bell, who won his first Grammy at age 78 with Marc’s help in creating Bell’s celebrated album, “This is Where I Live”, Cathy Holbrook, St. Cecilia Music Center Executive Director, said in supplied material. “With his latest work with the gospel legends Blind Boys of Alabama, we can’t wait to hear his new concert repertoire.”
In August 2019, Cohn released a soul/gospel/pop album “Work to Do”, along with Grammy Award winners Blind Boys of Alabama. The album’s collection “combined Cohn’s unique vocal and songwriting talents with the sanctified genius of these veteran gospel stars,” according to supplied material.
Cohn originally rose to musical fame when he won the Grammy for his soulful ballad “Walking in Memphis,” and since that time he has solidified his place as one of this generation’s “most compelling singer-songwriters, combining the precision of a brilliant tunesmith with the passion of a great soul man.”
No less of a singer/songwriter than Bonnie Raitt reportedly said, “Marc is one of the most soulful, talented artists I know. I love his songs, he’s an incredible singer, and I marvel at his ability to mesmerize every audience he plays for.”
The final St. Cecilia Music Center Acoustic Cafe Folk Series for the 2019-20 season is Shawn Colvin, who also returns returns for her second appearance at St. Cecilia Music Center, on May 19, when she will be performing her newly released album Steady On Acoustic in its entirety. Her original 1989 album Steady On became her first Grammy Award winning album and brought her significant acclaim and a large devoted fan base.
Marc Cohn concert tickets are $40 and $45 and can be purchased by calling St. Cecilia Music Center at 616-459-2224 or visiting the box office at 24 Ransom Ave. NE. Tickets can also be purchased online at scmc-online.org.
A post-concert “Meet-the-artist” reception with a cash bar will be offered to all ticket-holders giving the audience the opportunity to possibly meet Marc Cohn and obtain signed CDs of his many releases.
Chuck and Stella Royce. (St. Cecilia Music Center)
By K.D. Norris ken@wktv.org
The term “patron of the arts” is name-dropped often, but there are few people who it more aptly applies to than the late Stella Royce. With her late husband, Chuck, Stella spent decades generously advocating for and directly supporting arts and culture in West Michigan.
One of those arts organizations to benefit from the couple’s patronage was St. Cecilia Music Center — as evidenced by the beautiful renovated Royce Auditorium at the center, to name only the most obvious contribution.
So it is appropriate that St. Cecilia’s 2020 Helen DeVos Legacy Award will honor Stella at its 2nd annual gala, a sold-out event to be held at the music center Saturday, March 7, during Women’s History Month — also appropriate as St. Cecilia came into being in 1883 under the leadership of several local women.
Chuck and Stella Royce. (St. Cecilia Music Center)
“Stella was a vital force in the leadership and vision of St. Cecilia Music Center for over 60 years, and she and her husband, Chuck Royce, consistently promoted and supported St. Cecilia Music Center,” Cathy Holbrook, St. Cecilia executive director, said in announcing the award. “Stella and Chuck Royce also generously supported other arts organizations including the Grand Rapids Symphony, Opera Grand Rapids, Grand Rapids Ballet, as well as many others. … Stella was truly one of the great patron saints of St. Cecilia Music Center and led a life of service to the arts.”
St. Cecilia held the first annual Helen DeVos Legacy Award Gala in 2019, honoring the first recipient and namesake of the award, the late Helen DeVos. The award is now presented each year during Women’s History Month “to a woman who has helped expand the cultural life of our community and has shown exemplary service to the arts.”
Hearing stories of Stella, both from Holbrook and Charlie Royce, one of several relatives of Chuck and Stella who will be in attendance at the gala, it is clear the woman appreciated the arts and enjoyed life.
“I believe that Stella immediately fell in love with St Cecilia from the first day she visited,” Charlie Royce said to WKTV. “Since she passed away, I have spent a lot of time discovering how Stella became an artist in the first place. Because of her childhood I do not believe music or art was even an option for her. Only in high school did she become exposed to music through singing in the choir at Greenville High School.
“I tend to think this opportunity was perhaps her first place to escape to from a turbulent past into something beautiful. By the time she got to St. Cecilia, she knew that music could provide this same beauty to others that maybe struggled like she did. Thus all the programs for children and support for anyone that wanted to pursue their talent. And to have the means to provide it at a place like SCMC made for a perfect match.”
Royces’ long history with St. Cecilia
Chuck’s history with St. Cecilia actually predates Stella’s.
“Chuck’s mother and grandmother had been involved at SCMC since 1913,” Holbrook said to WKTV. “Chuck grew up roaming the halls of the building while his mother and grandmother performed, went to committee meetings and helped organize various events. So, you could say that SCMC was in Chuck’s blood.
Chuck and Stella Royce, with Cathy Holbrook, St. Cecilia executive director, and visiting musician Frederica von Stade. (St. Cecilia Music Center)
“When Stella met Chuck, her own love of music naturally drew her to the organization that his family had been so involved in for so many years and she took up the cause as wholeheartedly as his mother and grandmother had done. Chuck and Stella were at all events and concerts (at St. Cecilia). In fact, as their health declined and they were not attending events at SCMC regularly any longer, it definitely felt like something was ‘missing’. … We all wished that she could be here to receive it herself but, both Charlie and Maria are musicians themselves and recognize the impact that their parents had on this organization.”
And Chuck and Stella’s “impact” on St. Cecilia goes far behind the perfect acoustics of the renovated auditorium.
“During the renovation in the (19)70’s, the decision was made to make the auditorium handicap accessible,” Charlie said. “My folks turned this into an opportunity by suggesting the Great Artist Series. The series featured world renowned artists and opened with Izsak Perlman, who was at the time the most recognized violinist in the world who also happened to be handicapped.
“Also, after my folks retired and moved to downtown, they became a kind of welcoming committee of two for whomever just moved to Grand Rapids to head a corporation or take over as a president of a bank or college,” he said. “Through casual conversation my folks would learn of their interests, be it in architecture, the arts, cultural history, education … (and) every tour involved a stop at St Cecilia … Chuck and Stella totally recognized the importance of connecting people with something they could participate in and since they were new in town, St. Cecilia became the first place they connected with”
Proceeds from the Helen DeVos Award Gala honoring Stella Royce will help support St. Cecilia Music Center’s artistic performances, its varied music education programs for youth and adults, as well as preservation of the center’s historical building.
St. Cecilia Music Center is the oldest performing arts organization in West Michigan, according to supplied material, began in 1883. Nine women, led be Ella Matthews Pierce, gathered that year to form a society to promote the study and appreciation of music in all of its branches, and to encourage the development of music within the community. They chose to name the new organization after Saint Cecilia, the patron saint of music.
In the late 1880’s the members began planning for a building of their own, designed by prominent Chicago architect Henry Ives Cobb, who was a protégé of Carnegie Hall’s architect, William Burnet Tuthill. The building, which currently stands at 24 Ransom Ave., in downtown Grand Rapids, opened to the public in 1894, and is the only building in the United States built by women and has operated solely for the purpose of music.
For more information about St. Cecilia Music Center visit scmc-online.org.
