Finally it feels like Spring, and just in time for Earth Day.
This weekend’s Top 5 includes theater, rock ‘n’ roll, a book sale and a special Earth Day Party with Quillbur?
Want to learn more? Check out my Top 5, which you can find exclusively on WKTV Journal.
Gonzo’s Top 5
Jesse Ray & The Carolina Catfish (Courtesy Photo/Paul Jensen)
Jesse Ray & The Carolina Catfish
Grand Rapids rock, blues and rockabilly duo Jesse Ray & The Carolina Catfish, celebrates the release of a new album with a show Saturday at Pyramid Scheme in Grand Rapids. The new, self-titled album “is quite different from other releases as it has more instruments and attitude,” Jesse Ray said in an interview on John Sinkevics’ localspins.com. “Where (2016’s) ‘Angry’ was just angry for the sake of a young man’s anger, the new record is more complicated and emotional with the occasional outburst.” The bill also includes Patty PerShayla & The Mayhaps and The Local Commuters. Tickets are $15 and available online. Doors open at 7 p.m. More info on the Facebook event page.
Van Andel Arena
Downtown Grand Rapids is going to be busy this weekend with a couple big shows at Van Andel Arena. Comedian Katt Williams ( “The House Next Door; Meet the Blacks 2,” “Meet the Blacks”) performs at 8 p.m. Saturday (April 23) and rock band Shinedown performs at 7 p.m. Sunday (April 24). More details at vanandelarena.com.
Both KDL Kenwood and Wyoming libraries are hosting book sales this Saturday.
Friends of the Library Used Book Sale
TheKent District Library Kentwood Branch and Wyoming Branch both feature book sales from 9:30 a.m.-4 p.m. Saturday (April 23) where book enthusiasts will find bargains galore. The Kentwood Branch is located at 4950 Breton SE. The Wyoming Branch is located at 3350 Michael Ave. SW. More details at kdl.org.
The Hunchback of Notre Dame
Master Arts Theatre in Grand Rapids is presenting “The Hunchback of Notre Dame” with shows April 21-23, April 28-30 and May 5-7. Based on the Victor Hugo novel and songs from the Disney animated feature, The Hunchback of Notre Dame showcases the film’s Academy Award-nominated score, as well as new songs by Menken and Schwartz. According to Master Arts, “Peter Parnell’s new book embraces story theatre and features verbatim passages from Hugo’s gothic novel.” Learn more at www.masterarts.org.
Blandford Nature Center hosts a birthday party for Quillber, a North American Porcupine. (Supplied)
Blandford Nature Center – Earth Day
As part of Earth Day Week, Blandford Nature Center in Grand Rapids is having a Birthday Party for two of its wildlife ambassadors – Archimedes, who is a long-eared owl, and Quillber, a North American Porcupine. In a program from 1-2 p.m. Saturday, you’ll hear their stories and learn about what makes each of them special. Organizers said you can “snap a close-up of silly Archimedes before heading out on the trails to take Quillber for a birthday stroll through the woods.” Admission is free this month to Blandford, but admission to the party is $7 for members, $10 for non-members and free to those ages 2 and younger. You can register at https://www.blandfordnaturecenter.org/events/earth-day-birthdays/?occurrence=2022-04-23.
Blandford Nature Center is located at 1715 Hillburn Ave NW. Learn more about Blandford nature trails an http://blandfordnaturecenter.org/
That’s it for now.
As always, I welcome your input and recommendations for events to include in my Top 5 list. If you have something for me to consider, just send me an email at michigangonzo@gmail.com.
Have a great, safe Easter weekend.
John D. Gonzalez is a digital journalist with 30-plus years of experience as a food, travel, craft beer and arts & entertainment reporter based in Grand Rapids, Michigan. He also co-hosts the radio show and Podcast “Behind the Mitten,” which airs at 6 p.m. Sundays on WOOD-AM and FM. Follow him on his journey to discover what’s next. You can find him on Twitter as @MichiganGonzo, on Instagram @MichiganGonzo and Facebook at @GRGonzo. He also relaunched his YouTube Channel. Email him story ideas and tips at michigangonzo@gmail.com.
The pandemic shut down Spring Lake’s Seven Steps Up and other small music venues in Michigan. The slow rollout of federal assistance is not helping them come back and fill the seats. (Seven Steps Up)
Three West Michigan “small stage” music venues — Listening Room and Pyramid Scheme in Grand Rapids and Seven Steps Up in Spring Lake — are moving ahead with scheduling a few nights of music in the coming weeks.
Listening Room is hosting concerts outside the “Room” on the Listening Lawn with its first inside stage concert currently set for Aug. 6 with Tobin Sprout, while Pyramid Scheme’s first live show will be Charles The Osprey + Cavalcade + Crooked Heart on July 10, and Seven Steps Up has scheduled Leigh Nash (of Sixpence None the Richer) for a July 22.
But as the venues begin to come back to life — and live shows return to their stages — after the pandemic shutdown, both had hoped to already have received promised federal financial support from the Shuttered Venue Operators Grant (SVOG) program administered by the Small Business Administration (SBA).
U.S. Rep. Bill Huizenga (R-Mich. District 2), shown on the set of “WKTV Journal In Focus”. (WKTV)
That support has not shown up despite their being qualified and early applicants, WKTV has learned from both venues, and that delay has drawn the ire of local U.S. Rep. Bill Huizenga. Last week, Rep. Huizenga, who represents both Wyoming and Kentwood, joined more than 200 bipartisan members of the House of Representatives in sending a letter to SBA administrator Isabel Guzman “urging immediate action to stabilize and improve the Shuttered Venue Operators Grant” program.
According to a statement from Rep. Huizenga’s office, the rollout of the SVOG program has been plagued by technical challenges and persistent delays. Since launching the program in April, the SBA has approved roughly 400 grants as of June 14 — despite receiving more than 14,000 applications. In the letter signed by Rep. Huizenga the SBA was urged to “expedite the release of relief funding to struggling venues across the country.”
And that expediting of the relief funding will come none-too-soon for Seven Steps Up and the other venues.
“The portal opened officially on April 26 at noon and we submitted our application at 3:01p.m.,” Michelle Hanks, co-owner of Seven Steps Up, said to WKTV. “To date we have not had a response, although about a week ago it changed from Application Submitted to Pending Final Review. (On June 25, that status was upgraded to ‘Approved”) … But we have no timeline for funding.”
Quinn Mathews, general manager of Listening Room, also is still in the dark about its application — so the venue is moving forward while it waits.
Tami VandenBerg of Pyramid Scheme said they applied for the SVOG grant “in April. We have been in ‘under review’ status for several weeks now… . Hoping to hear of an approval soon.”
Michelle and Gary Hanks, owners and mangers of Seven Steps Up. (WKTV)
“Yes, we applied and we have yet to hear anything,” Mathews said to WKTV. “But we are producing concerts outside in our Studio Park Piazza all summer and we’ll be adding indoors as well here soon. We have a busy lineup for late summer and into the fall.”
The delay is of particular difficulty for Hanks and Seven Steps Up as it struggled to get back to business.
“We know we are eligible, and we are stuck without it. We can’t move forward,” she said. “We can’t, at this point, decide to quit because if we do we will owe tens of thousands of dollars for grants we have accepted under the condition that we certify we plan to reopen. We can’t hire employees. We can’t start up basic services or purchase basic supplies. Or fix our broken sign. Or deal with the hundreds of other decisions we have to make daily with absolutely no clue what to do.
“It’s a nightmare every day and the money is sitting there while venues go out of business. I don’t think it can be called emergency assistance now that it has been almost seven months since the legislation was passed.”
And for Rep. Huizenga, that delay is just unacceptable.
“It’s been six months since Congress created the Shuttered Venue Operators Grant program to help some of the hardest hit small businesses in the nation,” Rep. Huizenga said in supplied material. “The Small Business Administration’s inability to properly administer the funding in a timely manner is completely unacceptable. The more time that passes due to bureaucratic inaction, the more small concert venues will close their doors for good.”
The letter which Rep. Huizenga signed points out “These small businesses not only provide good jobs and contribute economically to our local communities, they contribute to the spirit and local culture as well.”
For an up-to-date schedule at Seven Steps Up concerts, visit sevenstepsup.com.
For an up-to-date schedule of Listening Room concerts, both on the lawn and, soon, inside, visit listeningroomgr.com.
People who know the local independent music scene know there are not two more different venues than Grand Rapids’ Pyramid Scheme and Spring Lake’s Seven Steps Up — at the first, you’ll likely loose your voice screaming for bands like The Beths or Fruition; at the second, you’ll quietly chill to the sounds of Darlingside.
But both venues, along with more than 1,000 “independent” music clubs and promoters across the county, are trying to find a little power in numbers — and help themselves survive the crippling impact of COVID-19 — by joining the newly established National Independent Venue Association.
While independent venues and promoters are small businesses, nationwide, the estimated direct annual impact they provide to their local communities nears $10 billion, according to the National Independent Venue Association (NIVA). In addition to supporting employees and artists who are dependent upon live music for their livelihoods, the industry serves as a “magnet and financial engine for local economies … for every dollar small venues generate in tickets sales, area restaurants, hotels, and retail establishments realize $12 in revenue.”
But that same group also reports that 90 percent of members informally predict they will not be able to reopen if there is no financial support and the shutdown extends to six months.
To find out what is the current mood, and long term outlook, of the independent music industry, here in West Michgian and across the country, WKTV visited the eerily empty rooms of Pyramid Scheme and Seven Steps up last week.
What we found was a bleak present with stages dark and employees on unemployment, but an unclear future unless venues can get clarity on when and how they can reopen, get some some government help.
The problems started even before the two venue were forced to close their doors to the public, back in mid-March.
Pyramid Scheme co-owner Tami VandenBerg. (WKTV)
“It has been a nightmare couple of months, as you an imagine, sort of cascading from March,” Tami VandenBerg, co-founder and co-owner of Pyramid Scheme, said to WKTV. “The first sign of huge trouble was when we heard South by Southwest (annual independent music festival in Austin) might be cancelled. Myself and other members of my team go down there. That is a massive event for our industry. … That was a big red flag.”
And then came not only musicians cancelling but national and state restrictions on certain businesses where people would congregate.
“It was devastating to layoff all our staff and cancel all our shows,” VandenBerg said, trying to count how many shows were cancelled. “It was brutal. Spring is usually a really busy time for us. … it is clear this is an epic mess.”
Michelle Hanks, who with husband Gary Hanks, own and manger Seven Steps Up, also saw the train wreck coming and could do nothing about it.
Michelle and Gary Hanks, owners and mangers of Seven Steps Up. (WKTV)
“It came to a crashing halt on March 14, that’s when we got the call,” Michelle Hanks said to WKTV. “Our last show was March 8. … Most of the shows have not been cancelled, they have been rescheduled. We just don’t have dates for them. … We are already discussing rescheduling for the third time, in some cases.”
In the case of Seven Step Up, Michelle Hanks said “probably going into the neighborhood of 45 to 50” shoes have been delayed or lost all together. At Pyramid Scheme, VandenBreg simply pointed out a busy spring schedule would usually see bands in four of five nights a week.
“Part of the issue with this industry is that it is not just Seven Steps Up, it’s — I loved one of the ways somebody said it — we are an ecosystem,” Michelle Hanks said. “We are an ecosystem of independent venues and independent artists. … The artists really need to tour across the United States, not just here and there.”
Financial losses mount, but unified action could help
Small music venues, like large concert venues and neighborhood brew pubs, are suffering financial hardship partly due to a “first to close; last to open” scenario — coupled with no concrete date of return.
A crowd at the Pyramid Scheme in Grand Rapids. (Pyramid Scheme Facebook)
According to supplied material, independent music industry magazine Pollstar estimated a $9 billion loss in ticket sales alone — not counting food and beverage revenue — if venues remain closed through the end of the year.
“We have been hit, already hit, extremely hard,” VandenBerg said. “And we will be one of the last places to reopen, as I have seen in the Governor’s plan. We’ll be able to open our front bar sooner, with limited capacity and protective gear. … but in term of live music, that is one of the last things that is going to open.”
“The big challenge is the uncertainty,” Gary Hanks said. “We are postponing and putting dates put there, after in the fall and winter, but all of us — agents, artists, venues — don’t really know if those are going to happen. … We may be told we can reopen, but we may be told there are going to be so many restrictions on that, in terms of audience size, that it, just financially, can’t work.”
Both VandenBerg and the Hanks agree they see some hope in their joining the NIVA, and the group’s work in Lansing and Washington, D.C., to request emergency governmental relief they can actually use.
In general, the NIVA is seeking modifications to small business loans and the Payroll Protection Program (PPP), tax relief, mortgage and rent forbearance, continued unemployment insurance for employees and “guidance on how to reopen safely when the time comes,” according to supplied material.
NIVA wrote a letter to Congress in late April advocating for “targeted legislative and regulatory assistance.” In part, the letter read:
“Without your help, thousands of independent venues will not survive to the day when our doors can open to the public again. While we have no income, we do have essential employees, employee benefits, debts with personal guarantees, rents or mortgages, utilities, insurance, local, state and federal taxes, and the massive burden of ticket refunds for more than 100,000 canceled shows due to COVID-19.”
One area of advocacy is to have ticket refunds become allowable as business losses — Seven Steps Up has given more than $4,000 in refunds and, “for us, that’s a killer,” Gary Hanks said.
A key group effort is waiving the PPP requirement for loan forgiveness to be contingent on employee retention if companies have no work to offer employees for several months — currently for loan forgiveness business have to bring people back to within a few weeks.
“One of the things that is a challenge for us, and for other small venues like us, is we can’t just bring our employees back for one show,” Michelle Hanks said. “They will loose their unemployment, at least for that week. … We have to be able to get up and do a regular number of shows for it to make any kinds of sense for anyone.”
Darlingside at Seven Steps Up. (Seven Steps Up Facebook)
Seven Steps Up usually has 7-9 part-time employees for 132-seat sold-out shows.
Pyramid Scheme “on a really busy night, a sold-put night, when we’ve got 420 folks in the back (in the concert room) and another 200 up front (in a bar area), those are our capacities, we can have 15 people working, from sound to security to bartenders,” “VandenBerg said. “When I think about when we will be able to get back to that (level of employment), I just don’t know. It’s really heartbreaking.”
A hopeful future, with a little help from their friends
Both VandenBerg and the Hanks said despite their current and short term problems, they are hopeful.
“In the midst of all this depressing uncertainty, the formation of NIVA has at least given us a glimmer of hope that our nine plus years of blood, sweat, and tears will not go down the drain,” Michelle Hanks said. “Out of crises, good things can sprout up.
“Independent venues have been so independent, fiercely independent, of each other. We don’t typically talk about anything,” she said. “So bringing all the venues together, we are talking about developing best practices for how we deal with things like merch areas, green rooms, queuing people into the venues, security. … That’s been really, really great. But in terms of what they are doing nationally, for us, there is a huge campaign going on right now to contact our elected officials.”
But support the community, from small venue music fans — the “scream at the top of your lungs” crowd or the “kick-back and chill” in a listening room crowd — is and will always be essential for such venues, whether it is buying some merch, or buying tickets for shows that may be delayed, or GoFundMe fundraisers.
“If people love live music, there is several great venues in West Michigan alone … If they want to help, find your venue that you love to go to” and support them in anyway you can,” Michelle Hanks said.
For more information on the National Independent Venue Association (NIVA) visit NIVAssoc.org. For more information on Seven Steps Up, located at 116 S. Jackson., Spring Lake, visit sevenstepsup.com. for more information on Pyramid Scheme, located at 68 Commerce SW, Grand Rapids, visit pyramidschemebar.com.
Fruition photographed in Lisbon, Portugal, in October 2019. Fruition is Jay Cobb Anderson, Kellen Asebroek, Jeff Leonard, Mimi Naja and Tyler Thompson (drums). (Supplied/Jay Blakesberg)
By WKTV Staff ken@wktv.org
Fruition, the seemingly always busy Portland, Oregon band traversing the country and making a local stop this weekend, is clearly also busy recording new material — including songs which showcase why they are selling out so many of their shows.
After releasing Wild As The Night in late 2019, the band this last week announced is new 7-song EP titled Broken at the Break of Day, recorded in between tour dates in Fruition drummer Tyler Thompson’s newly constructed home studio.
Songs from both releases will undoubtedly be on the set list Sunday, Jan. 26, as the band, with opener The Mighty Pines, visit Grand Rapids’ Pyramid Scheme, with doors open at 6 p.m. show. Tickets are still available, visit here for more information.
About the new release, the band says that, as with its other music, “this collection of songs won’t fit into one box.”
Broken At The Break Of Day’s lead single, “Dawn” is already climbing on the Billboard Americana Tracks chart as is the collection on the Americana Album chart. For a video of “Dawn” visit here.
Broken at the Break of Day shines a light on all five members of the band — Jay Cobb Anderson (electric guitar, vocals), Kellen Asebroek (piano, acoustic guitar vocals), Jeff Leonard (bass), Mimi Naja (mandolin, electric guitar, vocals) and Thompson (drums). But “the songwriting and the harmonies tie their diverse influences together,” the band says in promotional material.
“This process was the quickest the band had ever written and recorded the songs,” Thompson said in supplied material. “All the songs obviously fit either a ‘day’ or ‘night’ theme, but the whole rehearsing and recording process had to be done in about half the amount of time we were used to. That time limitation leant to us not overthinking things, playing instinctually — and all live — in the studio with very minimal overdubs. All the songs are very different, but I think the speedy process naturally created some sonic congruency.”
“From a visibility standpoint, being able to release more music more often — even if it is in smaller doses — is ideal in the new frontier of digital music that we have found ourselves smack dab in the middle of,” Asebroek said, also in supplied material. “It’s nice to be able to stay on people’s radar, in an age where people have instant access to the whole of music history at their fingertips. It’s also nice to put these out together on vinyl as a nod to the way things once were.”
The band’s history, so the supplied story goes, starts in 2008 when Anderson tagged along with Asebroek and Naja for an afternoon of busking in Portland. Drawing on their string-band influences early on, they released their debut album Hawthorne Hoedown that same year. Thompson joined the band in 2011, shortly after hearing the band members singing together in a friend’s attic. Leonard came on board in 2015.
Broken at the Break of Day is the band’s tenth release, including EPs and LPs.
Fruition has opened shows for the Wood Brothers, Greensky Bluegrass, and Jack Johnson, and appeared at festivals like Telluride Bluegrass, Bonnaroo, and DelFest.
It might be real easy, if you only catch a couple videos on YouTube, to pass off The Beths as a retro pop band in search of a good musical sound bite to chew on.
But there is something, when you listen to the New Zealand threesome/foursome led by singer and songwriter Elizabeth Stokes, that says — as a line from their latest release’s title track, “Future Me Hates Me” states and that kind of eats into your brain like a good ear worm — “There’s something about you, I wanna risk going through.”
There is something about their sound, neither too familiar nor too “working hard to be different”, that makes you listen to the tracks on 2018’s Future Me Hates Me and wonder what the band’s “future them” sound might be, how really special it could be.
Local explorers of what’s possibly next new on their alt/pop satellite radio channel of choice will get a chance to listen and check The Beths out when the band stops at Grand Rapids’ The Pyramid Scheme on Tuesday, July 2.
The local concert is part of a massive American tour this spring and summer — sandwiched between dates at a Chicago arts festival and clubs in Detroit and Toronto —that started with nights at SXSW (South by Southwest Music Festival) in March.
The Kiwis’ work at SXSW, at the same time of mass shootings at two Islamic mosques in Christchurch, New Zeeland, gives another hint that the band has the will-power to work hard and grow, emotionally and musically.
As was pointed out in a review in the Austin Chronicle by Libby Webster, “the music retained the strikingly tight performance of prior sets all week, but took on a mostly unspoken, raw somberness … It felt outrageous that a band should have to process the trauma of the day at a party, but The Beths persevered, poised and gutsy, closing out their SXSW remarkably brave.”
A little history, please
The main members of The Beths studied music at The University of Auckland, according to supplied material “resulting in a toolkit of deft instrumental chops and tricked-out arrangements that operate on a level rarely found in guitar-pop. The Beths’ guitarist and studio guru Jonathan Pearce … brings it all home with an approach that’s equal parts seasoned perfectionist and D.I.Y.”
“There’s a lot of sad sincerity in the lyrics” of Future Me Hates Me, Stokes says in supplied material. “That relies on the music having a light heart and sense of humor to keep it from being too earnest.”
In addition to Stokes on vocals and guitar, and Pearce on guitar and vocals, The Beths include Benjamin Sinclair on bass and vocals, and Tristan Deck on drums and vocals.
Future Me Hates Me is the band’s debut full-length release, with 2016’s EP Warm Blood befog that. On both is the song that most catches my ear: “Whatever”, which seems to sum up the band’s mood if not their expectations — and maybe what they think of American entertainment writers.
“You think I will buy whatever you say … Whatever, yeah, whatever … But now you’re getting me started.”
And what about that name? As far as I and Google can search, nothing on their website or on any wikis shed any light, so we’ll just have to ask.
For a video of The Beth’s “Uptown Girl”, visit here.
For more information on the show at The Pyramid Scheme, with doors open at 7 p.m. and Girl Friday opening, visit here.
Unknown Mortal Orchestra comes to Grand Rapids May 18.
Unknown Mortal Orchestra has been making the rounds of the late night shows – with stops on The Tonight Show with Jimmy Fallon, Late Night with Seth Meyers, and in February on Last Call with Carson Daly – and rightly so: the band’s psycho-pop sounds are the stuff of dreams.
UMO, led by singer/songwriter and multi-instrumentalist Ruban Nielson, will make a stop in Grand Rapids at The Pyramid Scheme on Wednesday, May 18. The sold-out show starts at 8 p.m., with Whitney opening, so you can bet UMO’s synthesizer and Nielson’s vocals will be echoing in the heads of the audience late that night too.
The band is touring in support of its third full-length release – after 2013’s “II” and 2011’s self-titled debut release, on which the band explored everything from techno-pop to lo-fi funk to otherworldly folk. More focused this time out, 2015’s “Multi-Love,” the new album and the lead single on it, is a dive into the deep end of what one reviewer called “psycho-pop”. I’ll not argue.
UMO currently calls Portland, Oregon home and is comprised of Nielson – who hails from New Zeeland – bassist Jake Portrait, keyboardist Quincy McCrary, and drummer Riley Geare.
The songs on the new release you’ve most likely heard, if you caught them late night or you’re into blog radio or SiriusXMU, are “Multi-Love,” “Can’t Keep Checking My Phone,” and “Necessary Evil,” and each deliver modern, if-slightly-strange, love stories.
On “Multi-Love,” Nielson is nearly whispering as he sings: “Multi-Love, checked into my heart and trashed it like a hotel room. Who is your God? Where is she? She wants to bury me in Austin under Uchiko. She don’t want to be a man or a woman.” That’s modern love alright.”
But it is UMO’s layered, techno-pop instrumentations that really make the stuff of dreams.
“Building old synthesizers and bringing them back to life, creating sounds that aren’t quite like anyone else’s. I think that’s much more subversive,” Nielson says on the band’s website about the music.
As someone who reluctantly fell in love with the music and strange storytelling of Death Cab for Cutie, Unknown Mortal Orchestra fits right in with the desired soundtrack of my routine dreams and occasional nightmares.
— Kady
The Lowdown:
Unknown Mortal Orchestra & Whitney
When: Wednesday, May 18, 8 pm.
Where: The Pyramid Scheme, 68 Commerce SW, Grand Rapids
